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Nigerian Superstar Tems Wins Big At The 67th Grammys

Nigerian singer Tems won the Best African Song Performance award at the 67th Grammys.

The singer who led the Nigerian contingent with three nominations won the prize for her single ‘Love Me Jeje’ in a category packed with Nigerian superstars.

It was a history-making night for the two-time winner who became the first Nigerian artist to win the category.

Other historic feats include Kendrick Lamar’s 5 wins which made him the second rapper since Chidish Gambino to win the Song of the Year and Record of the Year categories.

Kendrick Lamar’s ‘Not Like US’ also won the Best Rap Song, Best Rap Performance, and Best Music Video awards to take his tally to 22 thus becoming the third rapper with the most Grammys.

Jay Z broke his tie (24) with Kanye West after winning for Beyonce’s ‘Cowboy Carter’ which won the Album of the Year, Best Country Album, and also delivered the Best Country Duo Performance.

Beyonce’s three wins at the 67th Grammys extend her record as the artist with the most wins with 35.

See the full winners list below.

Record of the Year
“Not Like Us,” Kendrick Lamar

Album of the Year
“Cowboy Carter,” Beyoncé

Song of the Year
“Not Like Us,” Kendrick Lamar, songwriter (Kendrick Lamar)

Best New Artist
Chappell Roan

Producer of the Year, Non-Classical
Daniel Nigro

Songwriter of the Year, Non-Classical
Amy Allen

Best Pop Solo Performance
“Espresso,” Sabrina Carpenter

Best Pop Duo/Group Performance
“Die With a Smile,” Lady Gaga and Bruno Mars

Best Pop Vocal Album
“Short n’ Sweet,” Sabrina Carpenter

Best Dance/Electronic Recording
“Neverender,” Justice and Tame Impala

Best Dance Pop Recording
“Von Dutch,” Charli XCX

Best Dance/Electronic Album
“Brat,” Charli XCX

Best Remixed Recording
“Espresso (Mark Ronson x FNZ Working Late Remix),” FNZ and Mark Ronson, remixers (Sabrina Carpenter)

Best Rock Performance
“Now and Then,” The Beatles

Best Metal Performance
“Mea Culpa (Ah! Ça ira!),” Gojira, Marina Viotti and Victor Le Masne

Best Rock Song
“Broken Man,” Annie Clark, songwriter (St. Vincent)

Best Rock Album
“Hackney Diamonds,” The Rolling Stones

Best Alternative Music Performance
“Flea,” St. Vincent

Best Alternative Music Album
“All Born Screaming,” St. Vincent

Best R&B Performance
“Made for Me (Live on BET),” Muni Long

Best Traditional R&B Performance
“That’s You,” Lucky Daye

Best R&B Song
“Saturn,” Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon and Scott Zhang, songwriters (SZA)

Best Progressive R&B Album
“So Glad to Know You,” Avery*Sunshine
“Why Lawd?,” NxWorries (Anderson .Paak and Knxwledge)

Best R&B Album
“11:11 (Deluxe),” Chris Brown

Best Rap Performance
“Not Like Us,” Kendrick Lamar

Best Melodic Rap Performance
“3:AM,” Rapsody featuring Erykah Badu

Best Rap Song
“Not Like Us,” Kendrick Lamar, songwriter (Kendrick Lamar)

Best Spoken Word Poetry Album

“The Heart, the Mind, the Soul,” Tank and the Bangas

Best Jazz Performance
“Twinkle Twinkle Little Me,” Samara Joy featuring Sullivan Fortner

Best Jazz Vocal Album
“A Joyful Holiday,” Samara Joy

Best Jazz Instrumental Album
“Remembrance,” Chick Corea and Béla Fleck

Best Large Jazz Ensemble Album
“Bianca Reimagined: Music for Paws and Persistence,” Dan Pugach Big Band

Best Latin Jazz Album
“Cubop Lives!,” Luques Curtis, Zaccai Curtis, Willie Martinez, Camilo Molina and Reinaldo de Jesus

Best Alternative Jazz Album
“No More Water: The Gospel of James Baldwin,” Meshell Ndegeocello

Best Traditional Pop Vocal Album
“Visions,” Norah Jones

Best Contemporary Instrumental Album
“Plot Armor,” Taylor Eigsti

Best Musical Theater Album
“Hell’s Kitchen,” Shoshana Bean, Brandon Victor Dixon, Kecia Lewis and Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys and Tom Kitt, producers (Alicia Keys, composer and lyricist) (Original Broadway Cast)

Best Country Solo Performance
“It Takes a Woman,” Chris Stapleton

Best Country Duo/Group Performance
“II Most Wanted,” Beyoncé featuring Miley Cyrus

Best Country Song
“The Architect,” Shane McAnally, Kacey Musgraves and Josh Osborne, songwriters (Kacey Musgraves)

Best Country Album
“Cowboy Carter,” Beyoncé

Best Americana Performance
“American Dreaming,” Sierra Ferrell

Best American Roots Song
“American Dreaming,” Sierra Ferrell and Melody Walker, songwriters (Sierra Ferrell)

Best Americana Album
“Trail of Flowers,” Sierra Ferrell

Best Bluegrass Album
“Live Vol. 1,” Billy Strings

Best Traditional Blues Album
“Swingin’ Live at the Church in Tulsa,” The Taj Mahal Sextet

Best Contemporary Blues Album

“Mileage,” Ruthie Foster

Best Folk Album
“Woodland,” Gillian Welch and David Rawlings

Best Regional Roots Music Album
“Kuini,” Kalani Pe’a

Best Gospel Performance/Song
“One Hallelujah,” Tasha Cobbs Leonard, Erica Campbell and Israel Houghton featuring Jonathan McReynolds and Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard and Naomi Raine, songwriters

Best Contemporary Christian Music Performance/Song
“That’s My King,” CeCe Winans; Taylor Agan, Kellie Gamble, Lloyd Nicks and Jess Russ, songwriters

Best Gospel Album
“More Than This,” CeCe Winans

Best Contemporary Christian Music Album
“Heart of a Human,” Doe

Best Roots Gospel Album
“Church,” Cory Henry

Best Latin Pop Album
“Las Mujeres Ya No Lloran,” Shakira

Best Música Urbana Album
“Las Letras Ya No Importan,” Residente

Best Latin Rock or Alternative Album
“¿Quién Trae las Cornetas?,” Rawayana

Best Música Mexicana Album (Including Tejano)
“Boca Chueca, Vol. 1,” Carín León

Best Tropical Latin Album
“Alma, Corazón y Salsa (Live at Gran Teatro Nacional),” Tony Succar, Mimy Succar

Best Global Music Performance
“Bemba Colora,” Sheila E. featuring Gloria Estefan and Mimy Succar

Best African Music Performance
“Love Me JeJe,” Tems

Best Global Music Album
“Alkebulan II,” Matt B featuring Royal Philharmonic Orchestra

Best Reggae Album
“Bob Marley: One Love — Music Inspired by the Film (Deluxe),” (Various Artists)

Best New Age, Ambient or Chant Album
“Triveni,” Wouter Kellerman, Eru Matsumoto and Chandrika Tandon

Best Children’s Music Album
“Brillo, Brillo!,” Lucky Diaz and the Family Jam Band

Best Comedy Album
“The Dreamer,” Dave Chappelle

Best Audio Book, Narration and Storytelling Recording
“Last Sundays in Plains: A Centennial Celebration,” Jimmy Carter

Best Compilation Soundtrack for Visual Media
“Maestro: Music by Leonard Bernstein,” Bradley Cooper, Yannick Nézet-Séguin (London Symphony Orchestra)

Best Score Soundtrack for Visual Media (Includes Film and Television)
“Dune: Part Two,” Hans Zimmer, composer

Best Score Soundtrack for Video Games and Other Interactive Media
“Wizardry: Proving Grounds of the Mad Overlord,” Winifred Phillips, composer

Best Song Written for Visual Media
“It Never Went Away,” from “American Symphony”; Jon Batiste and Dan Wilson, songwriters (Jon Batiste)

Best Music Video
“Not Like Us” (Kendrick Lamar), Dave Free and Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau and Anthony Saleh, video producers

Best Music Film
“American Symphony” (Jon Batiste) Matthew Heineman, video director; Lauren Domino, Matthew Heineman and Joedan Okun, video producers

Best Recording Package
“Brat,” Charli XCX, Brent David Freaney and Imogene Strauss, art directors (Charli XCX)

Best Boxed or Special Limited Edition Package
“Mind Games,” Simon Hilton and Sean Ono Lennon, art directors (John Lennon)

Best Album Notes
“Centennial,” Ricky Riccardi, album notes writer (King Oliver’s Creole Jazz Band and Various Artists)

Best Historical Album
“Centennial,” Meagan Hennessey and Richard Martin, compilation producers; Richard Martin, mastering engineer; Richard Martin, restoration engineer (King Oliver’s Creole Jazz Band and Various Artists)

Best Engineered Album, Non-Classical
“I/O,” Tchad Blake, Oli Jacobs, Katie May, Dom Shaw and Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel)

Best Engineered Album, Classical
“Bruckner: Symphony No. 7; Bates: Resurrexit,” Mark Donahue and John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck and Pittsburgh Symphony Orchestra)

Producer of the Year, Classical
Elaine Martone

Best Immersive Audio Album
“I/O (In-Side Mix),” Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel)

Best Instrumental Composition
“Strands,” Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf and Christian Euman)

Best Arrangement, Instrumental or A Cappella
“Bridge Over Troubled Water,” Jacob Collier, Tori Kelly and John Legend, arrangers (Jacob Collier featuring John Legend and Tori Kelly)

Best Arrangement, Instruments and Vocals
“Alma,” Erin Bentlage, Sara Gazarek, Johanye Kendrick and Amanda Taylor, arrangers (säje featuring Regina Carter)

Best Orchestral Performance Award
“Ortiz: Revolución Diamantina,” Gustavo Dudamel, conductor (Los Angeles Philharmonic)

Best Opera Recording Award
“Saariaho: Adriana Mater,” Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan and Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)

Best Choral Performance
“Ochre,” Donald Nally, conductor (The Crossing)

Best Chamber Music/Small Ensemble Performance
“Rectangles and Circumstance,” Caroline Shaw and Sō Percussion

Best Classical Instrumental Solo
“Bach: Goldberg Variations,” Víkingur Ólafsson

Best Classical Solo Vocal Album
“Beyond the Years — Unpublished Songs of Florence Price,” Karen Slack, soloist; Michelle Cann, pianist

Best Classical Compendium
“Ortiz: Revolución Diamantina,” Gustavo Dudamel, conductor; Dmitriy Lipay, producer

Best Contemporary Classical Composition
“Ortiz: Revolución Diamantina,” Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic and Los Angeles Master Chorale)

Best American Roots Performance
“Lighthouse,” Sierra Ferrell

Best Rap Album
“Alligator Bites Never Heal,” Doechii

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Entertainment

Why I Refused To Rap In English For Global Validation – Olamide

When the conversation around Nigerian hip hop legends arises, Olamide Badoo’s name sits firmly at the top of the list.

From his breakout in the early 2010s to becoming a full-blown cultural force, Olamide Gbenga Adedeji has built an empire around authenticity, consistency, and a fearless embrace of his roots.

The YBNL boss is not only responsible for his own catalogue of timeless street anthems, but for discovering and nurturing some of the country’s biggest modern stars, from Lil Kesh to Fireboy DML to Asake.

What sets Olamide apart isn’t just his ear for hits or his dominance on the charts. It is his refusal to conform. In an era when many Nigerian artists switched to English or diluted their sound in search of international recognition, Olamide doubled down on the streets that made him.

During a recent interview with Eddie Kaddi on BBC Radio 1 Extra, Olamide spoke candidly about the philosophy behind his decision to rap in his native language rather than switching to English for global appeal.

His words revealed a sense of pride that goes beyond music.

He said: “Growing up and seeing the likes of Awilo Longomba doing his thing, Brenda Fassi (…). These people never tried to infuse English by force or anything. They were just doing their thing. Key thing is you have to identify your audience. Once you identify your audience, then the rest of the world are going to catch up eventually. So I have to stay true to myself no matter what it is, where it is in this world.”

The 36-year-old star added: “I’m a Naija boy. If I want to wear my Agbada and my Dashiki, I will do it. Let them know what I’m really all about — my heritage, my lineage, my culture, my food. You just have to stay true to yourself and that’s the only way you can become comfortable in life. I’m comfortable in my skin, I’m a Naija guy, Yoruba boy. I’ve got H-factor and all that. And I’m proud about it.”

That statement alone captures the very essence of Olamide’s career, a superb balance of street confidence, cultural loyalty, and an unshakeable belief in himself.

It is the same attitude that has fuelled his rise from Bariga to global acclaim, without ever having to abandon his linguistic or sonic identity.

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#SpotlightAfricaThrowbackSeries The Exclusive Wedding of Chief Sunday and Mrs Oluwatosin Oso in Akure

Joyful was the moment when the families of Oso in Ado-Ekiti and Ojo in Akure, Ondo State, as their children, Chief Sunday Oso and Mrs. Oluwatosin Ojo, formally sealed their lifelong union with an exchange of marital vows on November 6, 2021.

For the two lovebirds, the aura exuded nothing but love, as they both looked resplendent in their beautiful attire, gazing at each other with overwhelming excitement.

The event kicked off with a photo session by the couple at St. Jacobs Hotel, a 5-star hotel in Akure, Ondo State, which hosted notable guests from across Nigeria and abroad. At the same time, families, friends, and well-wishers converged at BAS Event Centre, Akure, Ondo State, the venue for both the traditional marriage and reception.

The two families expressed their joy as they warmly welcomed one another during the engagement. Guests were enlivened with rib-cracking jokes by the popular actress, Ronke Ojo, popularly known as Oshodi Oke, who anchored the event. The Ogbomoso-based Fuji maestro, Ramoni Akanni, did not fail to entertain guests with lively music. It was an all-you-can-eat menu accompanied by varieties of drinks, wine, and liquor.

Dignitaries in attendance include top politician, Hon. Olu Araoyinbo, Chairman, West Park Hotel, Mr Rasaq Oseni, Aare Khalif Adebiyi, Nigerian-based businessman, Mr Sesan Adelabu, Emirates, Chairman, St. Jacobs Hotel, Mr Babatope Adebiyi (Jafil), the Waziri of Ekiti State, Alhaji Ajijola, former Chairman, Ado-Ekiti Local Government, Hon. Chief (Mrs) Tosin Aluko, among others.

Hearty Congratulations to Mr and Mrs Oso!

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Entertainment

Couple makes history with Nigeria’s first train wedding

As the rhythmic clatter of wheels echoed along the Lagos–Ibadan railway route, a different kind of journey unfolded inside some of the coaches. Nigerian actor Shawn Faqua and his partner, Sharon Ifunnaya, an event planner, made history by exchanging vows on a moving train, marking the first wedding of its kind in Nigeria.

The ceremony took place aboard a train departing from the Mobolaji Johnson Train Station in Alagomeji-Yaba, Lagos. The coaches, normally a functional passenger compartment, were transformed into a wedding venue, with guests seated at tables, floral arrangements along the windows, a small aisle, and a distinct sense of movement beneath the couple’s feet.

Videos and photos quickly circulated online, showing the train in motion, guests seated, the bride and groom exchanging rings, all of these happening while the train sped past skylines and small towns outside the windows, adding a cinematic touch to the celebration.

A viral clip captures the bride, announcing cheerfully, “Hey guys, we’re getting married on the train!” And Shawn adds with a grin: “First ever! Breaking record!” This light-hearted tone sets the affair apart as a bold idea executed with joy rather than a stiff and strictly formal event.

In a country where weddings often follow a popular route of banquet halls, churches, and lush locations, Shawn and Sharon’s choice stood out for its novelty and playful spirit. Instead of a stationary venue, they chose to literally move. The train symbolised motion, journey, and progress, which can be interpreted as a very clever metaphor for beginning a life journey together.

On top of that, the event subtly highlighted Nigeria’s rail travel, which is still bouncing back. The renovation and revitalisation of train lines, especially those linking Lagos with neighbouring cities, has brought trains back into the public eye. This wedding transformed that infrastructure into a setting for romance and celebration.

The wedding caught social-media attention, both for its uniqueness and the celebrity names involved. On Instagram, Twitter, and TikTok, various video clips and images of the couple prompted jokes, praises, and reactions.

Weddings in Nigeria often carry a strong cultural and social load that includes multiple ceremonies (traditional, civil, white, religious), large guest lists, elaborate halls, and aesthetics. But this train wedding offered something different. It didn’t abandon tradition as the couple still held a traditional Igbo ceremony. But it added an unexpected and modern twist to the venue and setting.

This is probably a sign of how wedding culture in Nigeria is evolving. Couples increasingly seek personalisation, memorable experiences, and Instagram-worthy moments that reflect their personality, rather than simply replicating a standard format.

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