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Nigerian Superstar Tems Wins Big At The 67th Grammys

Nigerian singer Tems won the Best African Song Performance award at the 67th Grammys.

The singer who led the Nigerian contingent with three nominations won the prize for her single ‘Love Me Jeje’ in a category packed with Nigerian superstars.

It was a history-making night for the two-time winner who became the first Nigerian artist to win the category.

Other historic feats include Kendrick Lamar’s 5 wins which made him the second rapper since Chidish Gambino to win the Song of the Year and Record of the Year categories.

Kendrick Lamar’s ‘Not Like US’ also won the Best Rap Song, Best Rap Performance, and Best Music Video awards to take his tally to 22 thus becoming the third rapper with the most Grammys.

Jay Z broke his tie (24) with Kanye West after winning for Beyonce’s ‘Cowboy Carter’ which won the Album of the Year, Best Country Album, and also delivered the Best Country Duo Performance.

Beyonce’s three wins at the 67th Grammys extend her record as the artist with the most wins with 35.

See the full winners list below.

Record of the Year
“Not Like Us,” Kendrick Lamar

Album of the Year
“Cowboy Carter,” Beyoncé

Song of the Year
“Not Like Us,” Kendrick Lamar, songwriter (Kendrick Lamar)

Best New Artist
Chappell Roan

Producer of the Year, Non-Classical
Daniel Nigro

Songwriter of the Year, Non-Classical
Amy Allen

Best Pop Solo Performance
“Espresso,” Sabrina Carpenter

Best Pop Duo/Group Performance
“Die With a Smile,” Lady Gaga and Bruno Mars

Best Pop Vocal Album
“Short n’ Sweet,” Sabrina Carpenter

Best Dance/Electronic Recording
“Neverender,” Justice and Tame Impala

Best Dance Pop Recording
“Von Dutch,” Charli XCX

Best Dance/Electronic Album
“Brat,” Charli XCX

Best Remixed Recording
“Espresso (Mark Ronson x FNZ Working Late Remix),” FNZ and Mark Ronson, remixers (Sabrina Carpenter)

Best Rock Performance
“Now and Then,” The Beatles

Best Metal Performance
“Mea Culpa (Ah! Ça ira!),” Gojira, Marina Viotti and Victor Le Masne

Best Rock Song
“Broken Man,” Annie Clark, songwriter (St. Vincent)

Best Rock Album
“Hackney Diamonds,” The Rolling Stones

Best Alternative Music Performance
“Flea,” St. Vincent

Best Alternative Music Album
“All Born Screaming,” St. Vincent

Best R&B Performance
“Made for Me (Live on BET),” Muni Long

Best Traditional R&B Performance
“That’s You,” Lucky Daye

Best R&B Song
“Saturn,” Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon and Scott Zhang, songwriters (SZA)

Best Progressive R&B Album
“So Glad to Know You,” Avery*Sunshine
“Why Lawd?,” NxWorries (Anderson .Paak and Knxwledge)

Best R&B Album
“11:11 (Deluxe),” Chris Brown

Best Rap Performance
“Not Like Us,” Kendrick Lamar

Best Melodic Rap Performance
“3:AM,” Rapsody featuring Erykah Badu

Best Rap Song
“Not Like Us,” Kendrick Lamar, songwriter (Kendrick Lamar)

Best Spoken Word Poetry Album

“The Heart, the Mind, the Soul,” Tank and the Bangas

Best Jazz Performance
“Twinkle Twinkle Little Me,” Samara Joy featuring Sullivan Fortner

Best Jazz Vocal Album
“A Joyful Holiday,” Samara Joy

Best Jazz Instrumental Album
“Remembrance,” Chick Corea and Béla Fleck

Best Large Jazz Ensemble Album
“Bianca Reimagined: Music for Paws and Persistence,” Dan Pugach Big Band

Best Latin Jazz Album
“Cubop Lives!,” Luques Curtis, Zaccai Curtis, Willie Martinez, Camilo Molina and Reinaldo de Jesus

Best Alternative Jazz Album
“No More Water: The Gospel of James Baldwin,” Meshell Ndegeocello

Best Traditional Pop Vocal Album
“Visions,” Norah Jones

Best Contemporary Instrumental Album
“Plot Armor,” Taylor Eigsti

Best Musical Theater Album
“Hell’s Kitchen,” Shoshana Bean, Brandon Victor Dixon, Kecia Lewis and Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys and Tom Kitt, producers (Alicia Keys, composer and lyricist) (Original Broadway Cast)

Best Country Solo Performance
“It Takes a Woman,” Chris Stapleton

Best Country Duo/Group Performance
“II Most Wanted,” Beyoncé featuring Miley Cyrus

Best Country Song
“The Architect,” Shane McAnally, Kacey Musgraves and Josh Osborne, songwriters (Kacey Musgraves)

Best Country Album
“Cowboy Carter,” Beyoncé

Best Americana Performance
“American Dreaming,” Sierra Ferrell

Best American Roots Song
“American Dreaming,” Sierra Ferrell and Melody Walker, songwriters (Sierra Ferrell)

Best Americana Album
“Trail of Flowers,” Sierra Ferrell

Best Bluegrass Album
“Live Vol. 1,” Billy Strings

Best Traditional Blues Album
“Swingin’ Live at the Church in Tulsa,” The Taj Mahal Sextet

Best Contemporary Blues Album

“Mileage,” Ruthie Foster

Best Folk Album
“Woodland,” Gillian Welch and David Rawlings

Best Regional Roots Music Album
“Kuini,” Kalani Pe’a

Best Gospel Performance/Song
“One Hallelujah,” Tasha Cobbs Leonard, Erica Campbell and Israel Houghton featuring Jonathan McReynolds and Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard and Naomi Raine, songwriters

Best Contemporary Christian Music Performance/Song
“That’s My King,” CeCe Winans; Taylor Agan, Kellie Gamble, Lloyd Nicks and Jess Russ, songwriters

Best Gospel Album
“More Than This,” CeCe Winans

Best Contemporary Christian Music Album
“Heart of a Human,” Doe

Best Roots Gospel Album
“Church,” Cory Henry

Best Latin Pop Album
“Las Mujeres Ya No Lloran,” Shakira

Best Música Urbana Album
“Las Letras Ya No Importan,” Residente

Best Latin Rock or Alternative Album
“¿Quién Trae las Cornetas?,” Rawayana

Best Música Mexicana Album (Including Tejano)
“Boca Chueca, Vol. 1,” Carín León

Best Tropical Latin Album
“Alma, Corazón y Salsa (Live at Gran Teatro Nacional),” Tony Succar, Mimy Succar

Best Global Music Performance
“Bemba Colora,” Sheila E. featuring Gloria Estefan and Mimy Succar

Best African Music Performance
“Love Me JeJe,” Tems

Best Global Music Album
“Alkebulan II,” Matt B featuring Royal Philharmonic Orchestra

Best Reggae Album
“Bob Marley: One Love — Music Inspired by the Film (Deluxe),” (Various Artists)

Best New Age, Ambient or Chant Album
“Triveni,” Wouter Kellerman, Eru Matsumoto and Chandrika Tandon

Best Children’s Music Album
“Brillo, Brillo!,” Lucky Diaz and the Family Jam Band

Best Comedy Album
“The Dreamer,” Dave Chappelle

Best Audio Book, Narration and Storytelling Recording
“Last Sundays in Plains: A Centennial Celebration,” Jimmy Carter

Best Compilation Soundtrack for Visual Media
“Maestro: Music by Leonard Bernstein,” Bradley Cooper, Yannick Nézet-Séguin (London Symphony Orchestra)

Best Score Soundtrack for Visual Media (Includes Film and Television)
“Dune: Part Two,” Hans Zimmer, composer

Best Score Soundtrack for Video Games and Other Interactive Media
“Wizardry: Proving Grounds of the Mad Overlord,” Winifred Phillips, composer

Best Song Written for Visual Media
“It Never Went Away,” from “American Symphony”; Jon Batiste and Dan Wilson, songwriters (Jon Batiste)

Best Music Video
“Not Like Us” (Kendrick Lamar), Dave Free and Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau and Anthony Saleh, video producers

Best Music Film
“American Symphony” (Jon Batiste) Matthew Heineman, video director; Lauren Domino, Matthew Heineman and Joedan Okun, video producers

Best Recording Package
“Brat,” Charli XCX, Brent David Freaney and Imogene Strauss, art directors (Charli XCX)

Best Boxed or Special Limited Edition Package
“Mind Games,” Simon Hilton and Sean Ono Lennon, art directors (John Lennon)

Best Album Notes
“Centennial,” Ricky Riccardi, album notes writer (King Oliver’s Creole Jazz Band and Various Artists)

Best Historical Album
“Centennial,” Meagan Hennessey and Richard Martin, compilation producers; Richard Martin, mastering engineer; Richard Martin, restoration engineer (King Oliver’s Creole Jazz Band and Various Artists)

Best Engineered Album, Non-Classical
“I/O,” Tchad Blake, Oli Jacobs, Katie May, Dom Shaw and Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel)

Best Engineered Album, Classical
“Bruckner: Symphony No. 7; Bates: Resurrexit,” Mark Donahue and John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck and Pittsburgh Symphony Orchestra)

Producer of the Year, Classical
Elaine Martone

Best Immersive Audio Album
“I/O (In-Side Mix),” Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel)

Best Instrumental Composition
“Strands,” Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf and Christian Euman)

Best Arrangement, Instrumental or A Cappella
“Bridge Over Troubled Water,” Jacob Collier, Tori Kelly and John Legend, arrangers (Jacob Collier featuring John Legend and Tori Kelly)

Best Arrangement, Instruments and Vocals
“Alma,” Erin Bentlage, Sara Gazarek, Johanye Kendrick and Amanda Taylor, arrangers (säje featuring Regina Carter)

Best Orchestral Performance Award
“Ortiz: Revolución Diamantina,” Gustavo Dudamel, conductor (Los Angeles Philharmonic)

Best Opera Recording Award
“Saariaho: Adriana Mater,” Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan and Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)

Best Choral Performance
“Ochre,” Donald Nally, conductor (The Crossing)

Best Chamber Music/Small Ensemble Performance
“Rectangles and Circumstance,” Caroline Shaw and Sō Percussion

Best Classical Instrumental Solo
“Bach: Goldberg Variations,” Víkingur Ólafsson

Best Classical Solo Vocal Album
“Beyond the Years — Unpublished Songs of Florence Price,” Karen Slack, soloist; Michelle Cann, pianist

Best Classical Compendium
“Ortiz: Revolución Diamantina,” Gustavo Dudamel, conductor; Dmitriy Lipay, producer

Best Contemporary Classical Composition
“Ortiz: Revolución Diamantina,” Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic and Los Angeles Master Chorale)

Best American Roots Performance
“Lighthouse,” Sierra Ferrell

Best Rap Album
“Alligator Bites Never Heal,” Doechii

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Entertainment

Odumodublvck drops 23-track Industry Machine album

Nigerian rapper Odumodublvck has officially dropped his highly anticipated 23-track album, Industry Machine, featuring powerhouse collaborations with Wizkid, Davido, Skepta, Seun Kuti, and several others. Produced by Telz and P.Priime, the project seamlessly fuses hip-hop and Afrobeats, underscoring Odumodublvck’s versatility and bold sonic direction. Within hours of its release, the album soared to No. 1 on Apple Music Nigeria’s Top Albums chart, signaling both widespread acclaim and the rapper’s growing dominance in the music industry.

Among the standout tracks, “Big Time” featuring Wizkid debuted at No. 9 on Apple Music’s Top Songs chart, earning praise for its infectious rhythm, Wizkid’s captivating verse, and Odumodublvck’s sharp lyricism. Fans and critics alike have hailed Industry Machine as a defining moment in Nigerian music, celebrating its high production value and collaborative depth. Speaking on the project, Odumodublvck described it as “a celebration of creativity, hustle, and the evolution of the industry,” cementing his reputation as one of the country’s most innovative and influential rap voices.

For a while now, followers of Nigerian music have been keenly aware of the concept of the ‘INDUSTRY MACHINE.’ The swaggering phrase has been an integral part of the digital vocabulary of Nigerian rapper and singer, ODUMODUBLVCK, hinting at the highly anticipated follow-up to his 2023 mixtape, ‘EZIOKWU’, which spawned several hit tracks and established his reputation as one of Nigeria’s finest Hip-Hop acts.

In the two years since ‘EZIOKWU,’ ODUMODUBLVCK has only grown more unstoppable, racing to the top of charts in Nigeria on multiple occasions while showcasing the full breadth of his amorphous Okporoko sound on songs like “100 Million” and “NOT ALL THAT” as well as on collabs like “JUJU,” “Funds,” and “Flako.”

Seven months after the surprise drop of ‘THE MACHINE IS COMING,’ ODUMODUBLVCK has finally released ‘INDUSTRY MACHINE,’ bringing a thrilling conclusion to months of anticipation with a blockbuster 23-track release that runs through the full gamut of the Abuja rapper’s fascination and beliefs across a variety of soundscapes.

Throughout ‘INDUSTRY MACHINE,’ ODUMODUBLCK glides between euphoric party starters (“BANZA BOY, “VINICIUS,” and “GROOVING”) and gritty Rap joints (“UNAWARE,” “IF YOU LIKE GYM,” and “LAYI WASABI.”). At different turns, he reveals a new layer to his work without losing touch with the uniquely Abuja perspective that broke him through.

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Celebs

Imisi crowned WINNER of Big Brother Naija Season 10! Bags ₦150 Million

After 10 weeks of 29 housemates supplying viewers with unlimited drama, fun, controversies, emotions, evictions, and one disqualification, Imisi has been declared the winner of the 10th season of the Big Brother Naija reality show. Considered one of the strongest contenders for the Big Brother Naija 10/10 edition, Imisi’s win is a testament to her popularity among viewers who were endeared to her relatable personality.

As the winner of the 10th season of Big Brother Naija, Imisi will be going home with a whopping ₦150 million, among other prizes she won during her 10 weeks in the house. Opeyemi Ayanwale Imisioluwa, the 23-year-old fashion designer and actress from Oyo state, made a name for herself on the show as a housemate who thrives on challenges, seeks excitement, and embraces every opportunity to show her depth.

Imisi stole the hearts of millions with her unfiltered charm, radiant energy, and that unmistakable “real girl” appeal that glued fans to their screens.

Dubbed the Queen of Vibes, Imisi defied the odds in a season packed with drama, betrayals, and fierce rivalries. While others plotted and schemed, she stayed true to herself, and it paid off BIG time.

Her loyal army of supporters, proudly known as the Imistars, went all out, flooding the internet with love and votes.

Even when critics mocked her “Sapa” strategy and street-smart antics, Imisi turned the tables with laughter, light, and pure charisma. She proved that simplicity is indeed the ultimate sophistication.

Now ₦150 million richer, the People’s Champ is ready to take her good vibes global, with big plans in comedy, brand endorsements, and content creation.

Imisi becomes the fourth woman to win the popular reality show. Fans will be expecting her to go on to pursue her dreams of being a famous fashion designer and screen star.

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Entertainment

Tiwa Savage opens up on finding a partner – ‘I am scared of falling in love,’

Tiwa Savage

After being scarred by her previous relationships, singer Tiwa Savage has admitted that the idea of falling in love now scares her.

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“I’m scared of love, I’m so scared that I feel like if someone comes along with the right intentions, I’m so scared that I won’t be able to recognise it. I might project onto him, like if he doesn’t call me back in ten minutes, I assume the worst.”

She continued, “I’m praying that the right one doesn’t come and I don’t recognise it. I really am scared 100 percent. I just play around with it, but deep down I want love.”

Back in July 2025, she had joked about wanting a man who looked like British Nigerian rapper Skepta, and now she has added that she also wants someone kind and rich.

In a recent interview on the Joe Budden Podcast, she spoke about a relationship with a famous person who insisted that their romance stay private.

“He told me he didn’t want us to go public,” she said while recounting how her then partner went as far as flirting with women in her presence just to appear single to the public.

Tiwa Savage’s fear of romantic relationships is not unconnected to the messy split with her ex-husband and father of her son, Teebillz.

The singer and Teebillz got married in 2014, but their union only lasted 4 years as the couple parted ways in 2018 over claims of disharmony and infidelity.

Since her marriage ended, Tiwa Savage has been very private about her romantic relationships, while only leaving hints in her music and, more recently, in interviews.

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