Connect with us

Entertainment

Blood Sisters – Ini Dima-Okojie Opens Up About The Emotional Stress of Acting

Ini Dima-Okojie

Ini Dima-Okojie is an exceptional actress in every sense of the word. When she’s on-screen, it’s easy to tell that she is a thorough professional who puts in every effort required to embody her role. The actress butressed these facts in her latest interview with Pulse Nigeria where she spoke about the emotional demands of embodying a character especially one as broken as Sarah, her character in her latest outing – Netflix’s Blood Sisters.

Sarah is a new bride who is emotionally and physically abused by her husband. She excaceberates her woes by killing him and what unfolds for her is an emotional roller-coaster. The producers couldn’t have chosen a better actress for the role. Thanks to her track record of acing similar characters, Dima-Okojie was contacted by producers for the role. She was picked to portray Sarah after what she described as a rigorous process.

When asked by Pulse what her most challenging character was yet, she said;

Sarah definitely was a hugely challenging role on different fronts. There was the physical aspect to it, and it was a different kind of physicality cause it is not an action film where you train and stuff. It was a physicality where she had to struggle in that journey.

It was crazy what we did. We were in Makoko, jumping canoes, going for hours on the run. In Epe we were barefoot half the time. But even more so challenging was the emotional aspect to Sarah.

It was challenging for the character and for me. As an actor, I am unable to emote from the surface. I am not one of those actors that can get their eye ducts to produce tears at will. If I am going to break down, it has to come from within. It is how I am able to perform.

To effectively portray Sarah, Dima-Okojie had to break through a wall she had put up in an effort to protect her emotions after a disappointing experience she had with Ndani TV’s series Oga Police. She had earned the role of Laitan, a character she described as the most beautiful and intense she’s ever had. Having “unlocked” the character and given it her all, she was left devastated after producers canceled the show after airing just a single episode. Speaking on the aftermath of the fiasco she said;

I was in a place as an actor where I had sworn never to break myself for any role and this stemmed from Oga Pastor. I remember that character like it was yesterday. Laitan was the most beautiful, intense character ever and as an actor, I unlocked the door to the character. It felt like a drug, being able to be there but not really be present. There is no way that doesn’t impact your life. There were scenes where I just wasn’t there to a level that it was almost scary.

When the show got cancelled, it hurt more than a heartbreak. I cried for at least a year. Like I would think of Oga Pastor and would literally start crying. It really shattered me. It just didn’t make sense to me. I thought about the point of giving so much of myself to a character that no one got to see, then swore never to go that deep into a character.

So when I got Sarah, I was like Wow! Not again! I knew I was going to have to break that wall and give it everything I could cause you see, Sarah is broken on every level. She’s bullied by her friends and family so much that she is unable to stand up for herself. There are a lot of layers to her which is why the scene when she finally tells Kola no is so monumental.

Her most emotional scene while filming Blood Sisters, the actress revealed, was when Sarah and her best friend Kemi are discussing running away to avoid jail time for the murder they had just committed. “It (the scene) played out completely different to how it was written,” she said. “They were having a conversation and Sarah was more like her gangster self. However when we were filming, Nancy (Isime who portrays Kemi) and I burst into tears. We were crying and they just kept rolling. When they yelled cut we just kept crying.”

READ ALSO: Success in Nollywood Involves Intellectual Work – Actress, Kehinde Bankole

Thankfully, Ini Dima-Okojie is able to relief herself from the emotional burden of playing broken characters by immersing in her favorite guilty pleasure – bringing on reality TV shows with a bottle of wine to drown all of the stress that comes with embodying fictional characters. Then, there are also genuine friends on whom she relies for honest feedback.

Dima-Okojie’s performance on Blood Sisters has received rave reviews from viewers across the nation. Many have taken to social media to praise her performance, something that leaves the New York Film Institue alumnus feeling incredibly fulfilled and grateful. In her response to these praises, the actress encouraged people to chase their dreams no matter how late it seemed while referencing that she dumped her investment banking job to pursue her dream of a career in Nollywood starting out as a production assistant.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Asake’s ‘Mr Money With the Vibe’ Is Charting Top 50 On Spotify

Three years after its release, Asake’s Mr Money With the Vibe is still doing numbers. At the time of press, the track ‘Nzaza’ currently ranks 23rd on Spotify Nigeria’s Top 50 songs, that’s 148 weeks and counting, nearly three years of nonstop streaming for a debut project.

For most artists, a first album fades after its moment. For Asake, it’s really that moment that refuses to fade.

Released September 8, 2022, through YBNL Nation and Empire, Mr Money With the Vibe arrived when the streets already knew Asake’s name. He had already spent months turning singles like Sungba into hits. This 12-track debut built on that momentum, and he managed to do even more.

The project blends Afrobeats, Amapiano, and Fuji influences, creating a sound that can be global yet deeply Nigerian. Songs like Joha, Terminator, and Organise became instant hits, setting the tone for Asake’s larger-than-life run that would define Afrobeats in the mid-2020s.

From its first day out, Mr Money With the Vibe shattered expectations and redefined what a Nigerian debut could do.

Apple Music Africa: The album broke records for the most first-day and most opening three-day streams ever by an African project.Apple Music Nigeria Top 100: For a brief, almost unbelievable stretch, every single track on the album occupied the first 12 spots on the chart. Global Reach: The project reached #1 on Apple Music Album Charts in 26 countries, including six across Europe.

Albums fade, trends change, and new stars rise every quarter. Yet Mr Money With the Vibe remains glued to the top. That consistency says something about both Asake and his audience. For one, the project captured a moment in time, the rise of a new street-pop generation that blurred the lines between amapiano and Yoruba-rooted rhythm. Every track carried Asake’s trademark vocals and a hypnotic tempo that became instantly recognizable across countries.

Continue Reading

Entertainment

The Cavemen Drop New Album – Cavy In The City

The Cavemen’s new album Cavy in the City dropped on 31 October, and it feels like a confident return to form for the duo: Kingsley Okorie on bass and Benjamin James on drums. Known for reimagining traditional highlife with live instrumentation and rich nostalgia, the brothers once again build on what they’ve always done best.

The project opens with a warm homage to the legends: Rex Lawson, Celestine Ukwu, Osita Osadebe, and Oliver De Coque, instantly grounding it in the music’s roots. Sonically and visually, the record leans into that vintage spirit. Even the cover art, like Show Dem Camp’s Afrika Magic, nods to old Nigerian poster design with its bold, grainy, and proudly analogue look.

Compared to their last album, Love and Highlife (2024), which experimented more with contemporary sounds and collaborations, this one feels closer in spirit to their debut Roots, which is familiar and more faithful to the traditional highlife rhythms that first made fans fall in love.

Their latest album, Cavy in the City, arrives as a confident extension of what they’ve always done best: traditional highlife music reimagined through live instrumentation, arranged sounds, and nostalgia.

The Cavemen are students of sound. Their live-band approach gives the album a steady rhythm, powered by drums, deep basslines, and proper jazz-style. Here, they lean even deeper into highlife, less genre-blending, more focus. The songs blend into each other in a way that’s good enough, although there’s still a little sonic interruption here and there. Those interruptions are enough to distinguish certain tracks.

Production-wise, Cavy in the City is good. The mixing isn’t glossy or overdone; it’s a sort of warm music that fits a Sunday afternoon gathering more than a club night. The Cavemen aren’t trying to modernise highlife, either. They’re preserving it while giving it motion.

Despite the album title, Cavy in the City doesn’t build a clear concept around urban life or transition. Instead, it feels like a loose collection of moments and moods. The interludes do a lot of the heavy lifting, keeping the flow from track to track.

The standout collaborations work smoothly within that flow. Angelique Kidjo on Keep on Moving adds her signature sound, while Pa Salieu brings structure to Gatekeepers. Neither feature disrupts The Cavemen’s sound; they simply expand it.

Continue Reading

Entertainment

Why I Refused To Rap In English For Global Validation – Olamide

When the conversation around Nigerian hip hop legends arises, Olamide Badoo’s name sits firmly at the top of the list.

From his breakout in the early 2010s to becoming a full-blown cultural force, Olamide Gbenga Adedeji has built an empire around authenticity, consistency, and a fearless embrace of his roots.

The YBNL boss is not only responsible for his own catalogue of timeless street anthems, but for discovering and nurturing some of the country’s biggest modern stars, from Lil Kesh to Fireboy DML to Asake.

What sets Olamide apart isn’t just his ear for hits or his dominance on the charts. It is his refusal to conform. In an era when many Nigerian artists switched to English or diluted their sound in search of international recognition, Olamide doubled down on the streets that made him.

During a recent interview with Eddie Kaddi on BBC Radio 1 Extra, Olamide spoke candidly about the philosophy behind his decision to rap in his native language rather than switching to English for global appeal.

His words revealed a sense of pride that goes beyond music.

He said: “Growing up and seeing the likes of Awilo Longomba doing his thing, Brenda Fassi (…). These people never tried to infuse English by force or anything. They were just doing their thing. Key thing is you have to identify your audience. Once you identify your audience, then the rest of the world are going to catch up eventually. So I have to stay true to myself no matter what it is, where it is in this world.”

The 36-year-old star added: “I’m a Naija boy. If I want to wear my Agbada and my Dashiki, I will do it. Let them know what I’m really all about — my heritage, my lineage, my culture, my food. You just have to stay true to yourself and that’s the only way you can become comfortable in life. I’m comfortable in my skin, I’m a Naija guy, Yoruba boy. I’ve got H-factor and all that. And I’m proud about it.”

That statement alone captures the very essence of Olamide’s career, a superb balance of street confidence, cultural loyalty, and an unshakeable belief in himself.

It is the same attitude that has fuelled his rise from Bariga to global acclaim, without ever having to abandon his linguistic or sonic identity.

Continue Reading

Trending