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Watch The Video of the Afrimma 2020 Virtual Awards

The Afrimma 2020 Virtual Awards  is here. This celebration of African music will have performances from Rema, Fally Ipupa, Eddy Kenzo, Davido, Nadia Mukami, Soraia Ramos just to mention a few.

The AFRIMMA Virtual Awards 2020 is set to be the first of its sort in the African music world with exhibitions coming from various big names from around the globe.

List Of Nominees

Best Male West Africa

Adekunle Gold – Nigeria

Sidiki Diabate – Mali

Davido– Nigeria

Kidi – Ghana

Burna Boy – Nigeria

Kuami Eugene – Ghana

Rema – Nigeria

Ariel Sheney – Ivory Coast

Wally Seck– Senegal

Fireboy- Nigeria

Best Female West Africa

Josey – Ivory Coast

Tiwa Savage – Nigeria

Zeynab – Benin

Yemi Alade – Nigeria

Yasmine- Guinea Bissau

Dior Mbaye – Senegal

Adina – Ghana

Teni – Nigeria

Aya Nakamura – Mali

Simi – Nigeria

Best Male East Africa

Eddy Kenzo – Uganda

Diamond Platnumz – Tanzania

Harmonize – Tanzania

The Ben – Rwanda

Khaligraph Jones – Kenya

Gildo Kassa – Ethiopia

Mbosso – Tanzania

Rayvanny- Tanzania

Ali Kiba- Tanzania

Otile Brown – Kenya

Best Female East Africa

Nadia Mukami – Kenya

Vimka – Uganda

Zuchu – Tanzania

Maua Sama – Tanzania

Rosa Ree- Tanzania

Akothee- Kenya

Nandy – Tanzania

Sheebah Karungi – Uganda

Fena Gitu (FenaMenal) – Kenya

Tanasha Donna – Kenya

Best Male Central Africa

Gaz Mawete – Congo

Matias Damiaso – Angola

Ninho – Congo

Anselmo Ralph – Angola

Innos’ B – Congo

TayC – Cameroon

Fally Ipupa – Congo

Dadju – Congo

C4 Pedro – Angola

BM – Congo

Best Female Central Africa

Reniss – Cameroon

Shan’L -Gabon

Daphne – Cameroon

Mayra Andrade – Cape Verde

Eva RapDiva- Angola

Liloca- Mozambique

Soraia Ramos- Cape Verde

Charlotte Dipanda – Cameroun

Edmazia – Angola

Blanche Bailly – Cameroun

Best Male Southern Africa

Black Coffee- South Africa

Slap Dee – Zambia

Cassper Nyovest- South Africa –

Master KG- South Africa

Jah Prayzah – Zimbabwe

Vee Mampeezy – Botswana

Shyn – Madagascar

Tshego- South Africa

Tha Dogg – Namibia

Yanga Chief – South Africa

Best Female Southern Africa

Shasha – Zimbabwe

Sho Madjozi – South Africa

Ammara Brown – Zimbabwe

Busiswa – South Africa

Shashl – Zimbabwe

Ami Faku – South Africa

Sally BossMadam – Namibia

Azana – South Africa

Gemma Griffiths – Zimbabwe

Elaine – South Africa

Best African Group

Sauti Sol – Kenya

Toofan – Togo

Navy Kenzo – Tanzania

Forca Suprema – Angola

Mi Casa- South Africa

4KEUS- Congo

Kiff No Beats – Ivory Coast

Moobers – Angola

Magic System- Cote d’ivoire

Umu Obiligbo- Nigeria

Crossing Boundaries with Music Award

Burna Boy–Nigeria

Aya Nakamura -Mali/France

Dave- Nigeria/UK

J Hus – Gambia

Davido–Nigeria

Mr Eazi – Nigeria

French Montana- Morocco

Headie One – Ghana/UK

S. Pri Noir – Guinea Bissau/France

NSG – Nigeria/Ghana/UK

Best Newcomer

Kofi Mole- Ghana

Fanicko- Benin

Omah Lay – Nigeria

Shasha–Zimbabwe

Mc One – Cote d’ivoire

Edgar Domingos – Angola

J Derobie – Ghana

Ami Faku – South Africa

Zuchu – Tanzania

Oxlade – Nigeria

Artist of The Year 

Burna Boy – (Nigeria)

Fally Ipupa- Congo

Davido – (Nigeria)

Diamond Platnumz (Tanzania)

Sho Madjozi – South Africa

Wizkid -(Nigeria)

Aya Nakamura -Mali/France

Tiwa  Savage – Nigeria

Toofan – Togo

Master KG– South Africa

Best Gospel 

Mercy Chinwo – Nigeria

Joe Mettle – Ghana

Miguel Buila – Angola

Sinach – Nigeria

Icha Kavons – Congo

Winnie Mashaba – South Africa

Diana Hamilton – Ghana

DJ Kerozen – Ivory Coast

Benjamin Dube – South Africa

Tim Godfrey – Nigeria

Best Live Act

Flavour – Nigeria

Sauti Sol – Kenya

Stonebwoy – Ghana

Sidiki Diabate – Mali

Yemi Alade – Nigeria

Burna Boy – Nigeria

Diamond Platnumz- Tanzania

Fally Ipupa– Congo

C4 Pedro – Angola

Efya – Ghana

BEST FEMALE RAP ACT

Eno Barony – Ghana

Nadia Nakai – South Africa

Moonaya – Senegal

Rosa Ree – Tanzania

Bombshell Grenade – Zambia

Muthoni Drummer Queen – Kenya

Askia – Cameroon

Candy Bleakz – Nigeria

Keko – Uganda

Rouge – South Africa

Best Male Rap Act

Falz – Nigeria

Sarkodie – Ghana

Moobers – Angola

Nasty C – South Africa

Tenor – Cameroon

Khaligraph Jones – Kenya

Manifest – Ghana

Medikal – Ghana

Yanga Chief – South Africa

Kiff No Beat- Cote divoire

Best Collaboration

Master KG x Burna Boy – Jerusalema Remix

Kabza ft Wizkid, Burna Boy – Sponono

Ladipoe ft Simi – Know You

Khaligraph Jones ft Bien – Yes Bana

Beyonce ft Shatta Wale – King Already

Dj Neptune ft Mr Eazi &Joeboy – Nobody

Tanasha Donna ft Mbosso – La Vie

Mz Vee ft Yemi Alade

Sauti Sol ft Soweto Gospel Group – Brighter Days

Innos B ft Diamond Platnumz – Yope Remix

Song of The Year 

Sauti Sol – Suzanna

Rema – Woman

Master KG – Jerusalema

Ali Kiba – Dodo

Burnaboy – Anybody

Young John ft Naira Marley – Mafo

Medikal – Omo Ada

Kabza De Small x DjMaphorisa – Koko

Sarkodie ft Prince Bright– Oofeetsu

Diamond Platnumz – Jeje

Best Video Director

Justin Campos – South Africa

Dr Nkeng Stephens -Cameroon

Enos Olik – Kenya

TG Omori – Nigeria

David Duncan- Ghana

Sasha Vybz – Uganda

Director Kenny – Tanzania

Clarence Peters – Nigeria

Gyo Gyimah- Ghana

Patrick Elis – Nigeria

Best Dj Africa

DJ Spinall – Nigeria

DJ Black Coffee – South Africa

DJ Dollar – Senegal

DJ Lutonda – Angola

DJ Andy Josty – Ghana

DJ Neptune – Nigeria

DJ Cuppy– Nigeria

DJ ECool – Nigeria

DJ Malvado – Angola

DJ Moh Spice – Kenya

Best African Dj USA

DJ DeeMoney  – Nigeria

DJ Fully Focus – Kenya

DJ Poison Ivy – Kenya

DJ Shinski – Kenya

DJ Moh – Ivory Coast

DJ Tunez – Nigeria

DJ Akua – Ghana

DJ K Meta – Ethiopia

DJ Mekzy – Nigeria

DJ Buka – Nigeria

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Entertainment

Kanayo O. Kanayo demands lifetime streaming royalties for Nollywood stars

Veteran Nollywood actor Kanayo O. Kanayo has stirred up a conversation the industry has been quietly avoiding for years. The award-winning actor and lawyer recently proposed that the Actors Guild of Nigeria (AGN) implement a policy mandating lifetime royalty payments for all Nigerian actors and actresses featured in films uploaded to streaming platforms.

He also called for a dedicated agency to oversee and enforce compliance nationwide, arguing it would ensure performers earn from their craft long after the cameras stop rolling. The timing of the proposal is telling. Stories of financial ruin among once-beloved Nigerian actors have become alarmingly common.

Last month, veteran actor Abiodun Ayoyinka, widely known as Papa Ajasco, spoke openly about his financial struggles despite decades in the industry.

Two years prior, Hanks Anuku made headlines with public pleas for financial assistance after falling on hard times post-Nollywood.

Patience Ozokwor recently put it bluntly: “The reason why Nollywood actors and actresses are poor is that we don’t get royalties for what we do, we only get paid for our appearance at the shoot.” Her words, along with the others, show a consistent pattern of demand.

The proposal has drawn mixed reactions from industry figures. Writer-director Jadesola Osiberu responded with sarcasm, suggesting that if actors want royalties, perhaps they should also contribute to covering a producer’s losses proportional to their screen time, a dig at the one-sided nature of the demand.

Producer and actress Bolaji Ogunmola was more direct: if actors want backend earnings, they should negotiate equity stakes and invest in projects upfront rather than seek guaranteed payouts after the fact.

It’s a fair challenge. The music industry comparison many have reached for doesn’t quite hold up here.

In more structured film industries, residuals are tied to carefully negotiated distribution contracts and enforced by unions, organisations built over decades with legal infrastructure and industry-wide buy-in.

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Entertainment

Wizkid & Burna Boy Clash Over DJ Tunez Brawl

Hours after DJ Tunez publicly addressed the alleged altercation involving Burna Boy’s camp, Wizkid took to X with a series of posts that appear to directly mock Burna Boy over the incident.

Videos circulating on social media appear to show DJ Tunez, the Nigerian-American DJ, being physically attacked by individuals allegedly linked to Burna Boy’s camp. The incident, believed to have taken place at a private gathering at Obi Cubana’s residence, has sent fans of both artists into a frenzy online.

According to a source in Burna Boy’s camp, the confrontation ensued after DJ Tunez, who played at the event, accompanied the legendary Afrobeats superstar D’banj to Burna Boy’s section of the VIP lounge. The source said an argument followed between the Grammy-winning megastar and DJ Tunez, which then led to a scuffle before Burna Boy was quickly dragged away from the scene by his security.

In one tweet, he wrote: “Pussy nigga jump a DJ with 10 man carry Diddy towel dey dance. I never see fool like this diddy babe for my life,” a line that quickly began circulating across social media.

The post references the claims that multiple people were involved in the confrontation with Tunez, while also dragging in the ongoing online jokes linking Burna Boy to embattled American music executive Diddy.

Wizkid doubled down shortly after, posting an image of Johnson’s baby oil, a not-so-subtle callback to the same “baby oil” angle that has trailed Burna Boy in recent days, particularly following comments made by Speed Darlington that have since taken on a life of their own online.

The timing is also quite interesting. Wizkid’s posts come just as the situation between DJ Tunez and Burna Boy continues to escalate, with the Nigerian DJ Association already announcing a temporary nationwide ban on Burna Boy’s music pending further investigation.

Burna Boy himself has yet to issue a formal statement on the incident. What this does, however, is shift the tone. Until now, the situation has been judged to be somewhere between a personal dispute and an industry issue.

Wizkid’s involvement firmly pulls it back into the long-running, often tense rivalry between the camps, one that has historically played out through music, subtext, and the occasional online shade.

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Entertainment

Kunle Remi Blasts Government on economic hardship, asks Nigerians to hold government accountable

Nollywood actor Kunle Remi has joined growing public frustration over the rising cost of petrol, using his platform to call for more open conversations about the country’s current economic strain

The actor pushed back against the idea that public figures should stay silent on political or economic issues. “Usually I say things like I don’t really get involved with politics… No, that’s the most stupid statement from anyone in Nigeria right now,” he said. “We should be discussing, we should be talking about it, we should be trying to fix… There’s nothing like sitting on the fence.”

Remi linked his concerns to the direct impact of fuel prices on everyday life, pointing to the ripple effect across businesses and households. “Today I bought petrol for 1,300-something naira,” he said, noting that everything from shopping malls to small barber shops depends heavily on petrol to operate. “I have a child, so I’m thinking not just for myself.”

He also questioned Nigeria’s sensitivity to global oil market shifts, particularly ongoing tensions in the Middle East. “I don’t understand why Nigeria is one of the first countries to be affected by the war in Iran. My spirit is very angry. All the things I’ve been working for is for what?” he said.

His comments come amid sustained pressure on petrol prices across Nigeria. Despite the start of domestic refining operations, including the Dangote Refinery, pump prices have continued to reflect global market volatility. Industry stakeholders have pointed to international crude oil price movements and geopolitical tensions as key factors limiting any immediate relief.

Recent market data shows that a nearly 20 per cent increase in petrol prices implemented last week remains in place, with a national average of about N1,300 per litre. A decline in crude oil prices earlier in the week has yet to translate into lower pump prices, raising further concerns among consumers.

Online, Remi’s remarks have drawn widespread support, with many users commending him for speaking out on an issue that directly affects daily living. Some described his comments as reflective of broader public sentiment, especially as more Nigerians grapple with rising transportation and operating costs.

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