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Shallipopi splits with Dapper Music, accuses the label of breach of trust

Nigerian singer Shallipopi has announced his split from the popular record label Dapper Music to whom he was signed since breaking into the mainstream in 2022.
In a post on his Instagram page on December 11, 2024, Shallipopi announced the split in a public release where he cited a breach of trust and lack of transparency as the reasons for his decision.

The announcement by the Benin-born rapper confirms the news of a split earlier after Shallipopi unfollowed Dapper Music founder and CEO Damilola Akinwunmi on Instagram.

In his announcement, Shallipopi described the decision as the hardest one he has ever made while also capturing it as a fight for all creatives who put their all into their craft.

“I come to you today with a heavy heart but an unshakable determination. I’m Crown Uzama, your Shallipopi, and l’ve made one of the toughest decisions of my career. Today, I’m officially ending my agreements with Dapper Music and Dupper Digital. This wasn’t a choice I made lightly, but it’s a step I had to take after my trust was broken, my finances mishandled, and my rights as an artist were disregarded.

This is bigger than just me. It’s about every artist and creator who pours their soul into their work, only to face betrayal and exploitation from people who should be looking out for them. It’s about standing up for fairness, integrity, and the respect that we all deserve.”

Shallipopi accused Dapper Music of a conflict of interest after the label got him to sign a publishing deal with one of its subsidiary companies Dvpper Digital.

“Dapper Music and Entertainment Limited, my management company, pushed me into a deal with Dupper Digital Limited, another company owned by the same person(s). Instead of prioritizing my growth, they prioritized their own profits, putting my career and dreams at risk.”

He also accused the label of a lack of transparency over the use and remittance of his earnings. According to the chart-topping artist, all efforts to get the accurate state of his financials proved abortive.

“I’ve worked hard, and like anyone, I deserve to know where my money is going. Despite repeated requests, I was denied access to clear financial records of my money. Imagine not knowing how much you’ve earned or where it’s gone. This is devastating and unacceptable.”

In a damning allegation, Shallipopi claimed that Dapper Music attempted to lock him into a “forever contract” that will entitle the label to 30% of his revenues in perpetuity.

“They tried to lock me into a contract where they’d take 30% of my earnings forever, even after we parted ways. Even after they no longer work for me, they want to continue to take a whole 30% of my earnings in perpetuity. That’s not just unfair, it’s exploitation and it is cruel.”

While Shallipopi’s time with Dapper Music has come to an acrimonious end, the partnership yielded positives for both partners as Shallipopi rose to stardom while the label consolidated its position as one of the biggest in Nigerian music.

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Kanayo O. Kanayo demands lifetime streaming royalties for Nollywood stars

Veteran Nollywood actor Kanayo O. Kanayo has stirred up a conversation the industry has been quietly avoiding for years. The award-winning actor and lawyer recently proposed that the Actors Guild of Nigeria (AGN) implement a policy mandating lifetime royalty payments for all Nigerian actors and actresses featured in films uploaded to streaming platforms.

He also called for a dedicated agency to oversee and enforce compliance nationwide, arguing it would ensure performers earn from their craft long after the cameras stop rolling. The timing of the proposal is telling. Stories of financial ruin among once-beloved Nigerian actors have become alarmingly common.

Last month, veteran actor Abiodun Ayoyinka, widely known as Papa Ajasco, spoke openly about his financial struggles despite decades in the industry.

Two years prior, Hanks Anuku made headlines with public pleas for financial assistance after falling on hard times post-Nollywood.

Patience Ozokwor recently put it bluntly: “The reason why Nollywood actors and actresses are poor is that we don’t get royalties for what we do, we only get paid for our appearance at the shoot.” Her words, along with the others, show a consistent pattern of demand.

The proposal has drawn mixed reactions from industry figures. Writer-director Jadesola Osiberu responded with sarcasm, suggesting that if actors want royalties, perhaps they should also contribute to covering a producer’s losses proportional to their screen time, a dig at the one-sided nature of the demand.

Producer and actress Bolaji Ogunmola was more direct: if actors want backend earnings, they should negotiate equity stakes and invest in projects upfront rather than seek guaranteed payouts after the fact.

It’s a fair challenge. The music industry comparison many have reached for doesn’t quite hold up here.

In more structured film industries, residuals are tied to carefully negotiated distribution contracts and enforced by unions, organisations built over decades with legal infrastructure and industry-wide buy-in.

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Wizkid & Burna Boy Clash Over DJ Tunez Brawl

Hours after DJ Tunez publicly addressed the alleged altercation involving Burna Boy’s camp, Wizkid took to X with a series of posts that appear to directly mock Burna Boy over the incident.

Videos circulating on social media appear to show DJ Tunez, the Nigerian-American DJ, being physically attacked by individuals allegedly linked to Burna Boy’s camp. The incident, believed to have taken place at a private gathering at Obi Cubana’s residence, has sent fans of both artists into a frenzy online.

According to a source in Burna Boy’s camp, the confrontation ensued after DJ Tunez, who played at the event, accompanied the legendary Afrobeats superstar D’banj to Burna Boy’s section of the VIP lounge. The source said an argument followed between the Grammy-winning megastar and DJ Tunez, which then led to a scuffle before Burna Boy was quickly dragged away from the scene by his security.

In one tweet, he wrote: “Pussy nigga jump a DJ with 10 man carry Diddy towel dey dance. I never see fool like this diddy babe for my life,” a line that quickly began circulating across social media.

The post references the claims that multiple people were involved in the confrontation with Tunez, while also dragging in the ongoing online jokes linking Burna Boy to embattled American music executive Diddy.

Wizkid doubled down shortly after, posting an image of Johnson’s baby oil, a not-so-subtle callback to the same “baby oil” angle that has trailed Burna Boy in recent days, particularly following comments made by Speed Darlington that have since taken on a life of their own online.

The timing is also quite interesting. Wizkid’s posts come just as the situation between DJ Tunez and Burna Boy continues to escalate, with the Nigerian DJ Association already announcing a temporary nationwide ban on Burna Boy’s music pending further investigation.

Burna Boy himself has yet to issue a formal statement on the incident. What this does, however, is shift the tone. Until now, the situation has been judged to be somewhere between a personal dispute and an industry issue.

Wizkid’s involvement firmly pulls it back into the long-running, often tense rivalry between the camps, one that has historically played out through music, subtext, and the occasional online shade.

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Entertainment

Kunle Remi Blasts Government on economic hardship, asks Nigerians to hold government accountable

Nollywood actor Kunle Remi has joined growing public frustration over the rising cost of petrol, using his platform to call for more open conversations about the country’s current economic strain

The actor pushed back against the idea that public figures should stay silent on political or economic issues. “Usually I say things like I don’t really get involved with politics… No, that’s the most stupid statement from anyone in Nigeria right now,” he said. “We should be discussing, we should be talking about it, we should be trying to fix… There’s nothing like sitting on the fence.”

Remi linked his concerns to the direct impact of fuel prices on everyday life, pointing to the ripple effect across businesses and households. “Today I bought petrol for 1,300-something naira,” he said, noting that everything from shopping malls to small barber shops depends heavily on petrol to operate. “I have a child, so I’m thinking not just for myself.”

He also questioned Nigeria’s sensitivity to global oil market shifts, particularly ongoing tensions in the Middle East. “I don’t understand why Nigeria is one of the first countries to be affected by the war in Iran. My spirit is very angry. All the things I’ve been working for is for what?” he said.

His comments come amid sustained pressure on petrol prices across Nigeria. Despite the start of domestic refining operations, including the Dangote Refinery, pump prices have continued to reflect global market volatility. Industry stakeholders have pointed to international crude oil price movements and geopolitical tensions as key factors limiting any immediate relief.

Recent market data shows that a nearly 20 per cent increase in petrol prices implemented last week remains in place, with a national average of about N1,300 per litre. A decline in crude oil prices earlier in the week has yet to translate into lower pump prices, raising further concerns among consumers.

Online, Remi’s remarks have drawn widespread support, with many users commending him for speaking out on an issue that directly affects daily living. Some described his comments as reflective of broader public sentiment, especially as more Nigerians grapple with rising transportation and operating costs.

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