Connect with us

Entertainment

Netflix marks Nigeria’s 64th Independence with 2024 films, Including ‘Hijack 93

As Nigeria celebrated its 64th independence anniversary, Netflix announced an exciting collection of upcoming licensed Nigerian stories that will showcase the country’s dynamic storytelling talent.

This thrilling lineup, debuting throughout the final quarter of 2024, underscores Netflix’s dedication to entertaining its Nigerian members with various exciting local stories.

This diverse slate of local content, which spans a variety of genres and themes, features upcoming films and series from acclaimed filmmakers such as; Charles Okpaleke, Femi Adebayo, Clarence Peters, Omoni Oboli, and Zeb Ejiro. Starting in October, these stories will entertain audiences to experience the richness of Nigerian culture and narratives like never before.

“It is essential to us that Netflix remains the premier destination for the best in Nigerian storytelling for our members in Nigeria,” said Ben Amadasun, Netflix’s Vice President of Content for the Middle East and Africa. “We aim to continue celebrating the country’s rich and vibrant culture and history by acquiring a variety of exciting licensed titles from Nigeria’s best filmmaking talent.”

With a commitment to proving that great stories can indeed come from anywhere and be loved everywhere, Netflix continues to spotlight Nollywood as a cultural and entertainment powerhouse. The upcoming 2024 slate includes new releases like the film Hijack 93, a thriller film inspired by true-life events launching on 25 October, the anniversary of the event. Hijack 93 tells the story of four young men who hijack a plane in protest of the annulled 1993 elections in Nigeria. As they navigate the high-stakes situation, they must balance their demands with the safety of the passengers and their freedom. The film, created by Play Networks Studios (Blood Vessel, Glamour Girls), will feature an all-star cast including; Nancy Isime; Sharon Ooja; Jemima Osunde; Idia Aisen; Adam Garba; Nnamdi Agbo; Akinsola Oluwaseyi; Allison Emmanuel; Efa Iwara and John Dumelo.

“Hijack 93 is a fictional retelling inspired by the true events of a Nigerian Airways flight that was hijacked in 1993 by some Nigerian teenagers. Such historic events that are part of the spine of our democracy tend to dissolve before the next generation knows of it. As a filmmaker, my focus is telling our true African stories for the world to see,” says Charles Okpaleke, producer & co-founder of Play Network Studios.

Also launching in 2024 – but only available in Africa – are Inside Life a series launching on 11 October; Domitilla* – a film launching on 8 November, the film Sisi London launching on 29 November) and Seven Doors* a film that will launch on 13 December.

Netflix has renewed the Nigerian fan-favorite series, Aníkúlápó for another season and recently kicked off production in Ibadan and Ghana where the series leads Sola Sobowale, Bimbo Ademoye, and Lateef Adedimeji to make a comeback to reprise their roles alongside new cast members Antar Laniyan, Joke Muyiwa, Adebowale Adebayo, and Saidi Balogun. The film, which once peaked at #1 on the Netflix Global Top 10 list and returned as a series will be produced by Kunle Afolayan Productions and directed by the award-winning filmmaker Kunle Afolayan.

Speaking about the upcoming season. Afolayan says, “We’re overjoyed that Netflix has renewed Anikulapo for another season. We take pride in telling our stories authentically and this series is a powerful reflection of Nigerian culture and history. This season will explore the complex realities of the slave trade, with actors from Portugal, Ghana, and Nigeria, showing the global connections in our history. Filming in Oyo State and Ghana helped us ground the story in places rich with our heritage. We’re excited to continue sharing this journey with the world and celebrating the depth of our culture.”

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Nigeria’s image isn’t worth protecting when school children are being kidnapped – Davido

In a new interview on the BBC, multi-award-winning superstar Davido explained why he chose to use his platform to bring global attention to the kidnapping of school children around the country.

During his performance on one of the side events at the ongoing FIFA World Cup hosted in Mexico, the United States of America, and Canada, Davido wore a jacket with the names of the school kids from the Oyo Kidnapping pinned all over the black leather jacket

Davido’s choice of outfit and activism generated both criticism and praise, with some commending him for using his platform to amplify the plight of Nigerians confronting record levels of insecurity. Other critics, including popular Hausa praise singer Dauda Adamu Kahutu, popularly known as Rarara, accused Davido of a lack of patriotism for airing the country’s dirty laundry on the global stage.

The award-winning star, however, doesn’t agree with the idea of protecting the country’s image. According to him, there’s no image to protect when school kids are being kidnapped.

A lot of people don’t really want to talk about what goes on in my country (Nigeria) simply because they want to protect the image, but there’s no image to protect if the little kids are being kidnapped,” Davido said, strongly communicating his stance.

As much as I was happy to do the World Cup, we also have to understand that things are going on back home in our country, which we have the power to let the world know through our own means. My own means is music and performances, so I used my platform to project what is going on.”

Davido’s decision to use the World Cup stage for his activism continues his trend of joining his voice to echo Nigeria’s sociopolitical crisis. During the famous ENDSARS protest against police brutality and corruption in 2020, he took part in the protest, and his smash hit record ‘FEM’ became the unofficial anthem.

As Nigerians at home and in the diaspora continue to await the return of the school children and teachers of the Orile kidnapping in Oyo, Davido and other celebrities are speaking up on the rising insecurity and economic hardship across the country.

Continue Reading

Celebs

Nollywood Veteran Hanks Anuku captured roaming the streets of Abuja

A viral video showing veteran Nollywood actor Hanks Anuku on a roadside in Abuja has sparked concern among Nigerians on social media. The footage, believed to have been recorded recently, shows the 64-year-old actor appearing distressed, holding a disposable cup and seemingly talking to himself. Some social media users speculated that he may have been under the influence of alcohol, though this remains unconfirmed.

​Sharing the clip online, eyewitnesses appealed for support, writing:

​“Please Nigerians, Nollywood actor Hanks Anuku needs our help. Please repost and share so he can get help.”
The video has generated mixed reactions, with some expressing concern for the actor’s well-being, while others urged the public not to jump to conclusions.

One user said, “He made his choice. Donate for him and he will still visit his drugs and drinks. Best advice na the one wey person advice himself.”

Several fans called on his fellow actors and the Nigerian Actors Guild to provide the actor with the necessary medical and financial support.\

Anuku previously made headlines in November 2022 after a viral video showed him dressed in worn-out clothing while wandering the streets, prompting widespread speculation about his mental health. The actor later dismissed claims that he was battling mental illness. However, this latest video shows concerns over the state of his mental health and well-being.

​During his time in Nollywood, Hanks Anuku was known for playing the archetypal bad-boy role, which earned him fame through his performances in movies like ‘The Senator.’ The actor’s current situation sheds light on the issues confronting movie stars and other celebrities who often battle with depression and financial crisis after leaving the limelight.

Continue Reading

Entertainment

My mum is my God, my dad is my God’ — 9ice

Singer 9ice has sparked debate after saying his parents are his “God” and rejecting other deities, months after revealing he has practised as a Babalawo for 18 years.

9ice is once again at the centre of online debate after declaring that his parents, not any deity, occupy the highest spiritual place in his life.

In a video posted to his Instagram on Sunday, the artist said: “Today I’ll tell you something I don’t really talk about, but I’ll talk today. I love my mum, I love my dad, my god is my mum, my father is my god.” He went further in the comments, clarifying that the reverence typically reserved for an unseen God should instead be directed at one’s parents.

The singer didn’t stop there. “I don’t believe in inferior Gods,” he added, distancing himself from the worship of any other spiritual beings and insisting his belief system doesn’t fit neatly into traditional religious structures.

Predictably, the internet had thoughts, and most of them weren’t kind. A large chunk of reactions accused him of being under the influence of something, with many dismissing the statement outright rather than engaging with it.

This isn’t 9ice’s first brush with this kind of controversy, and that’s part of why the latest clip spread as fast as it did. Back in April, he went viral for a different but related rant, this time aimed squarely at Nigeria’s religious culture.

“You’ll leave Nigeria and go to Mecca to go and lick rock all in the name of Kabba,” he said then, arguing that decades of national prayer hadn’t translated into national progress. He compared Nigeria’s work ethic unfavourably to London’s, joking that between church on Sunday, Bible study on Wednesday and vigil on Friday, “when would you work?”

Some Nigerians found merit in his earlier point about productivity versus performative religiosity. Far fewer have extended that same patience to his spiritual claims, with both the Babalawo reveal and now this parental-deity comparison landing mostly as fodder for mockery rather than genuine reflection.

Continue Reading

Trending