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Mo Abudu Responds To Critically Panned Chief Daddy 2

Mo Abudu Chief Daddy 2

After two weeks of heavy criticism of her latest release Chief Daddy 2, Mo Abudu, the CEO of Ebony Life Films has responded to the negative feedback from Nigerians.

In a video posted to her verified Instagram page, Abudu said she acknowledges the disappointment expressed by critics and that their “voices are heard.” Mo added that she appreciated constructive criticisms noting that it was a way to ensure Ebony Life Productions continue to “deliver the great quality productions,” that has come to be expected from the production company.

Chief Daddy 2: Going For Broke was released on New Year’s day exclusively on the streaming platform, Netflix. It is a sequel to the original film, Chief Daddy which was released in 2018.

The comedy film follows the lives of the immediate and extended family members of a late chief called Chief Daddy as they scramble for the wealth that the family patriarch has left behind.

Since its inception, movies by Mo Abudu’s Ebony Life Films have been highly anticipated, from Wedding Party to Oloture, a fact she stated in her speech.

Due to an impressive track record (by Nigerian standards) much was expected from Chief Daddy 2, unfortunately, fans were left with great displeasure, criticizing the screenplay and direction.

Those who had watched the movie took to Twitter and other social media platforms to discourage others from watching describing it with words such as “confusing” and “annoying”. Regardless, Chief Daddy 2 peaked at number 4 in the Top 10 Nigeria category on the streaming platform.

Read Also: Fast Facts About Shatu Garko – The 44th Miss Nigeria

Directed by Niyi Akinmolayan and written by Abudu, Bode Asiyanbi, Hiedi Uys, and Salah Sabiti, the film features a star-studded cast that includes Shaffy Bello, Funke Akindele-Bello, Joke Silva, Kate Henshaw-Nuttal, Rahama Sadau, Mawuli Gavor, Beverly Naya, and musician, Falz.

While Abudu welcomed criticisms, she noted that she would not tolerate trolls who are out to insult and abuse her or members of Ebony Life Studios, warning that such comments would be restricted.

Mo Abudu’s Speech Read;

As the CEO of the EbonyLife Group, I am aware of the mixed reactions to the release of Chief Daddy 2 on the 1st of January on Netflix. While some people enjoyed the film, others did not, and so I would like to take this opportunity to acknowledge our Chief Daddy fans that felt some disappointment with the sequel.

Thank you so much for caring, and for sharing your concerns so passionately.

Over the years, we have been the privileged recipients of your love and support of our productions – from Fifty, The Wedding Party, The Royal Hibiscus Hotel, Your Excellency, The Governor, Castle and Castle, Oloture and of course Chief Daddy 1 amongst others. All these amazing stories are on Netflix for your viewing pleasure. So, when you express your disappointment with us, please know your voices are heard.

We appreciate your constructive feedback. This way, my team and I can continuously improve ourselves so we can deliver the great quality productions you have come to expect from EbonyLife studios.

Please share your feedback respectfully otherwise we will have to restrict entry to you on our pages. We really don’t want anyone to miss out on finding out about the exciting stories we have for you in the pipeline.

Thank you for listening, and rest assured that we have great things in store for you, with some amazing titles coming your way soon.

Once again, wishing you all a very happy new year with an abundance of blessings.

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Entertainment

Kanayo O. Kanayo demands lifetime streaming royalties for Nollywood stars

Veteran Nollywood actor Kanayo O. Kanayo has stirred up a conversation the industry has been quietly avoiding for years. The award-winning actor and lawyer recently proposed that the Actors Guild of Nigeria (AGN) implement a policy mandating lifetime royalty payments for all Nigerian actors and actresses featured in films uploaded to streaming platforms.

He also called for a dedicated agency to oversee and enforce compliance nationwide, arguing it would ensure performers earn from their craft long after the cameras stop rolling. The timing of the proposal is telling. Stories of financial ruin among once-beloved Nigerian actors have become alarmingly common.

Last month, veteran actor Abiodun Ayoyinka, widely known as Papa Ajasco, spoke openly about his financial struggles despite decades in the industry.

Two years prior, Hanks Anuku made headlines with public pleas for financial assistance after falling on hard times post-Nollywood.

Patience Ozokwor recently put it bluntly: “The reason why Nollywood actors and actresses are poor is that we don’t get royalties for what we do, we only get paid for our appearance at the shoot.” Her words, along with the others, show a consistent pattern of demand.

The proposal has drawn mixed reactions from industry figures. Writer-director Jadesola Osiberu responded with sarcasm, suggesting that if actors want royalties, perhaps they should also contribute to covering a producer’s losses proportional to their screen time, a dig at the one-sided nature of the demand.

Producer and actress Bolaji Ogunmola was more direct: if actors want backend earnings, they should negotiate equity stakes and invest in projects upfront rather than seek guaranteed payouts after the fact.

It’s a fair challenge. The music industry comparison many have reached for doesn’t quite hold up here.

In more structured film industries, residuals are tied to carefully negotiated distribution contracts and enforced by unions, organisations built over decades with legal infrastructure and industry-wide buy-in.

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Wizkid & Burna Boy Clash Over DJ Tunez Brawl

Hours after DJ Tunez publicly addressed the alleged altercation involving Burna Boy’s camp, Wizkid took to X with a series of posts that appear to directly mock Burna Boy over the incident.

Videos circulating on social media appear to show DJ Tunez, the Nigerian-American DJ, being physically attacked by individuals allegedly linked to Burna Boy’s camp. The incident, believed to have taken place at a private gathering at Obi Cubana’s residence, has sent fans of both artists into a frenzy online.

According to a source in Burna Boy’s camp, the confrontation ensued after DJ Tunez, who played at the event, accompanied the legendary Afrobeats superstar D’banj to Burna Boy’s section of the VIP lounge. The source said an argument followed between the Grammy-winning megastar and DJ Tunez, which then led to a scuffle before Burna Boy was quickly dragged away from the scene by his security.

In one tweet, he wrote: “Pussy nigga jump a DJ with 10 man carry Diddy towel dey dance. I never see fool like this diddy babe for my life,” a line that quickly began circulating across social media.

The post references the claims that multiple people were involved in the confrontation with Tunez, while also dragging in the ongoing online jokes linking Burna Boy to embattled American music executive Diddy.

Wizkid doubled down shortly after, posting an image of Johnson’s baby oil, a not-so-subtle callback to the same “baby oil” angle that has trailed Burna Boy in recent days, particularly following comments made by Speed Darlington that have since taken on a life of their own online.

The timing is also quite interesting. Wizkid’s posts come just as the situation between DJ Tunez and Burna Boy continues to escalate, with the Nigerian DJ Association already announcing a temporary nationwide ban on Burna Boy’s music pending further investigation.

Burna Boy himself has yet to issue a formal statement on the incident. What this does, however, is shift the tone. Until now, the situation has been judged to be somewhere between a personal dispute and an industry issue.

Wizkid’s involvement firmly pulls it back into the long-running, often tense rivalry between the camps, one that has historically played out through music, subtext, and the occasional online shade.

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Entertainment

Kunle Remi Blasts Government on economic hardship, asks Nigerians to hold government accountable

Nollywood actor Kunle Remi has joined growing public frustration over the rising cost of petrol, using his platform to call for more open conversations about the country’s current economic strain

The actor pushed back against the idea that public figures should stay silent on political or economic issues. “Usually I say things like I don’t really get involved with politics… No, that’s the most stupid statement from anyone in Nigeria right now,” he said. “We should be discussing, we should be talking about it, we should be trying to fix… There’s nothing like sitting on the fence.”

Remi linked his concerns to the direct impact of fuel prices on everyday life, pointing to the ripple effect across businesses and households. “Today I bought petrol for 1,300-something naira,” he said, noting that everything from shopping malls to small barber shops depends heavily on petrol to operate. “I have a child, so I’m thinking not just for myself.”

He also questioned Nigeria’s sensitivity to global oil market shifts, particularly ongoing tensions in the Middle East. “I don’t understand why Nigeria is one of the first countries to be affected by the war in Iran. My spirit is very angry. All the things I’ve been working for is for what?” he said.

His comments come amid sustained pressure on petrol prices across Nigeria. Despite the start of domestic refining operations, including the Dangote Refinery, pump prices have continued to reflect global market volatility. Industry stakeholders have pointed to international crude oil price movements and geopolitical tensions as key factors limiting any immediate relief.

Recent market data shows that a nearly 20 per cent increase in petrol prices implemented last week remains in place, with a national average of about N1,300 per litre. A decline in crude oil prices earlier in the week has yet to translate into lower pump prices, raising further concerns among consumers.

Online, Remi’s remarks have drawn widespread support, with many users commending him for speaking out on an issue that directly affects daily living. Some described his comments as reflective of broader public sentiment, especially as more Nigerians grapple with rising transportation and operating costs.

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