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Fathia Williams receives Backlash for new movie ‘Efunroye: The Unicorn’

Nollywood filmmaker, Faithia Williams Balogun has addressed the controversy around her new movie, Efunroye: The Unicorn.

The actress took to X on Wednesday, October 23, 2024, to announce the release of her movie, Efuronye: The Unicorn. Captioned, “Power, Trade, Legacy,” the official film poster that she released caught the attention of netizens.

Journalist David Hundeyin, tweeting, criticized the movie, alleging that Tinubu was an “ultimate slave trader.”

His tweet, among others, read, “A deliberate decision was made to fund a Nigerian movie lionizing not just ‘a’ slave trader but the ultimate slave trader, as in the Efunroye Tinubu herself. The one who decided she would rather sink a ship loaded with a cargo of kidnapped African human beings than reduce their asking price to the European buyers. That Efunroye Tinubu. This would be like getting Tyler Perry and Spike Lee to produce and direct a movie titled ‘Robert E. Lee: The Unicorn.’”

Also, the 2023 Labour Party’s governorship candidate in Lagos State, Gbadebo Rhodes-Vivour, wrote, “The Yoruba were the biggest victims of Madam Tinubu’s kidnapping, human trafficking and enslavement network. In the British attempt to end human trafficking and her ruthless opposition to it, she was exiled from Lagos. When Nigerians do DNA test like 23 and me, etc., they will see the number of unknown relatives they have scattered all across the Americas and the West Indies. They will realize how close and how deep this chapter of our history is. Unfortunately, Nigerians are still dealing with a ruthless elite that amass their fortune at the detriment of their people.”

Amid the backlash on the yet-to-be-released biopic movie, the actress clarified that there was no political intention behind the movie production. She was more than a warrior, she was a ruler who rewrote history. ‘Efunroye: The Unicorn’ is coming to your screens soon! Are you ready?” the post said.

The post sparked a lot of controversy especially because the movie is about Efunroye Osuntinubu, born in 1805, a Yoruba aristocrat, merchant, and slave trader in pre-colonial and colonial Nigeria.

She is said to have used her connections to establish a successful trade network with European merchants in slaves, tobacco, salt, cotton, palm oil, coconut oil, and firearms and allegedly owned well over 360 personal slaves.

As a wealthy woman, Madam Tinubu was able to influence economic and political decisions during her time. She had a massive security force composed of slaves, and she sometimes executed orders usually given by political leaders during the colonial era.

Fathia Williams, however, took to her social media to address the controversy around the film

“Firstly, “Efunroye: The Unicorn” is not a promotional piece intended to glorify or whitewash a divisive historical figure like Madam Efunroye Tinubu. Nor does it carry any political intent or affiliation. This film is purely a work of artistic interpretation and storytelling. As a filmmaker, my goal is to bring Nigerian stories to life on screen, and this is no exception. The movie attempts to present Madam Tinubu’s life in a balanced and nuanced way, showcasing her triumphs, challenges, and the complex legacy she left behind. It is not an effort to reshape or glorify the historical narrative. “Like all historical figures, Madam Tinubu’s story is layered, and this film aims to capture both her strengths and controversies,” the post said.

She also stressed that the movie is inspired by true events and added that it is important to explore our history.

“As with any artistic work, it draws from history but takes creative liberties to make the story more engaging for modern audiences. I believe that through this film, we can explore important parts of our history, but it is important to understand that it remains a work of fiction inspired by real events,” she concluded

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Tems and Runtown In Scintilating Prformance at Spotify Surround Sound in Lagos

Spotify brought fans closer to Tems and Runtown across two nights of Surround Sound in Lagos, inviting selected Premium listeners based on their listening behaviour to experience the artists and music they care about in an intimate, in-the-round setting.
Held at Livespot in Lagos on 25 and 26 September, the performances brought two distinct catalogue stories into the room. Tems revisited For Broken Ears, while Runtown placed Mad Over You at the centre of a career-spanning set.

Surround Sound is Spotify’s live performance format, launched from Sub-Saharan Africa, which brings artists and fans together at close range and captures those performances as full-length music films for Spotify. Lagos provides the cultural context for these stories, with Nigerian artists and listeners at their centre.

Tems performed For Broken Ears tracks including Ice T and Damages, alongside earlier singles Mr Rebel and Try Me and later material such as Love Me JeJe and What You Need, tracing different chapters of her catalogue.

Ahead of the performance, she reflected on the beginnings of that journey: “I remember making Free Mind on my bed, on my laptop, experimenting with chords and seeing what stuck. The first two chords sounded so good, and it ignited melodies in me. Those melodies I made on my bed are what is in the song right now.”

Spotify’s relationship with Tems also reaches back to that period. In September 2020, shortly after the release of For Broken Ears, she became the third artist to join Spotify’s RADAR Africa programme, following South African singer Elaine and rapper Willy Cardiac. Six years later, Surround Sound revisited that early chapter of her catalogue in Lagos.

During the performance, Tems turned towards the audience and invited them to sing along, making the fans’ voices part of the experience. The following night, Runtown opened with Lagos to Kampala and Gallardo, moving through For Life, International Badman Killa and Unleash. The set also included Kini Issue, drawing together different parts of his catalogue.

Mad Over You became a shared moment between artist and audience. Runtown performed the song during the set before returning to it a second time to close the show, with fans singing along.

Speaking ahead of the performance, Runtown said: “This is the first time in 10 years I am performing with my band, and I am looking forward to seeing my fans.”

Spotify’s September 2026 analysis offers context for the continuing relationship with this music. Of the listeners who played For Broken Ears in January 2022, 21.6% also listened in August 2026. Meanwhile, Mad Over You appeared in more than three million user-created playlists at the time of the analysis.

Surround Sound connected that existing relationship with an opportunity to experience the artists live. There was no public ticket sale; Spotify invited selected Premium listeners directly through the platform, using listening behaviour to identify fans for the experience.

The live room is intentionally intimate and has a fixed capacity,” said Rifumo Mdaka of Spotify. “We use listening signals to reach selected Spotify Premium listeners in Lagos directly rather than running a public ticket sale. The aim is to create a close artist-fan experience while keeping the room suitable for the performance and film capture.”

Across both nights, Premium’s fan value took a tangible form: selected listeners had the opportunity to hear familiar music performed up close, with the audience’s responses becoming part of the experience.Both performances were filmed for Spotify.

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Davido, Rema, Fally Ipupa To headline Afro Nation Portugal 2027

Afrobeat icon Davido, Rema and Fally Ipupa will headline Afro Nation Portugal 2027, with Omah Lay, Victony and other stars also confirmed for the festival, continuing Nigeria’s dominant run at one of the world’s biggest celebrations of Afrobeats and Amapiano. The festival takes place in Portimão from 9 to 11 June 2027, on the sands of Praia da Rocha, running about a month earlier than it has in recent years.

The first wave of roughly 30 confirmations describes Davido, Rema and Fally Ipupa as “three giants of African music,” all returning to the festival. Also confirmed for the Lit stage are Omah Lay, Odeal, Shenseea, Valiant, Victony, Bamby and Miimii KDS, with South Gidi (the live project from DJ Tunez and DJ Maphorisa featuring Wizkid and Mavo) closing out the final night.

The Piano People stage returns, led by amapiano pioneer Kabza De Small and duo TxC, with Dlala Thukzin joining as a special guest, alongside 031Choppa, 2woBunnies, Benzo, Thatohatsi, Uncool MC, W4DE, Xduppy B2B Al Xapo, Young Stunna and Zee Nxumalo.

The lineup extends a pattern that has defined Afro Nation Portugal since it launched in 2019 with Nigerian superstars taking the centre stage nearly every year. Past headliners have included Burna Boy, Wizkid, Davido, Megan Thee Stallion, 50 Cent, Chris Brown and Nicki Minaj, with the festival credited with helping push Afrobeats and Amapiano onto global stages.

This year’s edition, the sixth, wrapped in July with Wizkid and Asake leading the lineup, alongside Burna Boy, who launched his album No Sign of Weakness from the festival’s beach stage in 2025. Uncle Waffles headlined the Piano People stage, with Gunna and Kehlani appearing as special guests.

Rema is no stranger to the show either; he headlined the 2024 edition alongside Asake, J Hus and Tyla, riding the global success of ‘Calm Down.’ Davido, meanwhile, returns to a festival he has previously headlined, while Fally Ipupa comes back after main-stage appearances in recent years, including 2024.

Since its debut, Afro Nation has expanded beyond Portugal to Ghana, Puerto Rico, Miami and Detroit, but the Portugal edition remains its flagship, drawing tens of thousands of fans from across the world each summer for a weekend built around African music.

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Charly Boy celebrates daughter’s engagement to a Woman

Veteran Nigerian entertainer Charles Oputa, popularly known as Charly Boy, has publicly celebrated the engagement of his daughter, Adaeze, to a woman, drawing a wide range of reactions from Nigerians online. Charly Boy shared a video from the engagement ceremony on his Instagram page on Thursday, referring to the couple as his “beautiful Princess and her Husband” and asking his followers to extend their well wishes. “Folks, wish dem well for me,” he wrote.

Adaeze also announced the engagement herself, sharing a photo with her partner alongside the caption “WE’RE ENGAGED!” and the hashtag #mrsandmrsgray2027. She expressed excitement about the relationship in her post, writing, “Here’s to a lifetime of love, laughter, growth, and making beautiful memories together. I can’t wait for everything God has in store for us. Forever sounds even sweeter with you.”

The announcement quickly drew attention online, with reactions split between congratulatory comments and criticism, reflecting Nigeria’s broader social and legal climate around same-sex relationships, where such unions remain both criminalised and widely stigmatised. Adaeze was previously married to a man, Metu Anu, in a traditional wedding held in Abuja in February 2018, a union that later ended in divorce.

This isn’t the first time a member of the Oputa family has publicly navigated a same-sex relationship. Charly Boy’s other daughter, Dominique “Dewy” Oputa, is also known to be in a relationship with a woman, both daughters currently reside outside Nigeria.

Charly Boy, also known as Area Fada, has built a decades-long career and public persona around unconventional, often boundary-pushing views on social and cultural issues in Nigeria. He has spoken previously about surviving prostate cancer, being sexually abused by a nanny during his childhood, and long-standing tension within his own nearly 50-year marriage to his wife, Diane.

He has also addressed public speculation about his own gender expression and sexuality directly, arguing that embracing traits often associated with femininity does not diminish a man’s identity.

The entertainer has 10 children and 14 grandchildren in total, and has continued to speak openly about his family throughout his public career, even as his views have periodically placed him at odds with more conservative segments of Nigerian society.

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