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AMVCA8 Full Winner’s List

amvca8

It was a memorable night for celebrities and viewers alike as various winners took to the stage to receive the golden AMVCA accolade. Africa’s most prestigious film awards made its highly anticipated return after a two-year hiatus which was partly due to the COVID 19 pandemic. From first-time winners to amazing performances and red carpet moments that could give the Met Gala a run for its money, the 8th AMVCA lived up to expectations. The movies to crown the most winners were Ramsey Noah’sRattlesnake: The Ahanna Story and Izu Ojukwu’s Amina. While Stan Nze scooped the Best Actor in a Drama, Osas Ighodaro snapped the Best Actress in the same category, additionally, her powder blue bedazzled gown made her a double winner as she also took home the Best Dressed Award in the female category. On the other hand, Denola Grey remained undisputed snapping the Best Dressed Male award yet again. Read on for the full list of winners at the AMVCA8.

 

Best Actor in a Drama (Movie/TV Series)

Stan Nze – Rattlesnake

Best Actress in a Drama (Movie/TV Series)

Osas Ighodaro – Rattlesnake: The Ahanna Story

Best Africa Magic Original Drama Series

Rishantes – Dimbo Atiya

Best Actress in a Comedy

Funke Akindele – Omo Ghetto (The Saga)

Best Actor in a Comedy

Broda Shaggi/Samuel Perry – Dwindle

Best Director (Movie)

Ramsey Nouah for Rattlesnake: The Ahanna Story

Best Overall Movie

Amina by Izu Ojukwu & Okey Ogunjiofor

Best Africa Magic Original Comedy Series

The Johnsons – Rogers Ofime

Best Supporting Actor (Movie/TV Series)

Odunlade Adekola – Jankariwo

Best Supporting Actress (Movie/TV Series)

Omowunmi Dada – Country Hard

Best Soundtrack (Movie/TV Series)

Gold Coast Lounge – Pascal Aka & Raquel (From Ghana)

Best Movie – West Africa

Collision Course – Bolanle Austen-Peters, Joseph Umoibom & James Amuta

Best Movie – East Africa

The Girl In The Yellow Jumper – Morocco Omari

Best Movie – Southern Africa

Hairareb – Dantagos Jimmy-Melani

Best Short Film or Online Video

I Am The Prostitute Mama Described – Taiwo Ogunnimo

Best Documentary

If Objects Could Speak – Saitabao Kaiyare, Mumo Liku, Elena Schilling, Daniella Fritz, Ann Katrina Boberg

Read Also: Grammy Awards 2022 Full Winners List

Best TV series – Drama or Comedy

The Mystic River – Rogers Ofime

Best Online Social Content Creator

Oga Sabinus

Best Cinematographer

Muhammad Attah

Best Picture Editor

Tunde Aplowo for ‘Maria Ebun Pataki’

Best Art Director (Movie/TV Series)

Tunji Afolayan

Best Lighting Designer (Movie/TV Series)

Matthew Yusuf for Rattlesnake: The Ahanna Story

Best Makeup

Balogun Abiodun for her work on Rattlesnake: The Ahanna Story

Best Writer (Movie/TV Series)

Manie Oisomaye, Donald Tombia and Biodun Stephen for Introducing The Kujus

Best Indigenous Language Movie or Series (Igbo)

Uche Nnanna Maduka

Best Indigenous Language Movie or Series (Yoruba)

David Akande, Demola Yusuf, Edgard Leroy (Alaise)

Best Indigenous Language Movie or Series (Hausa)

Rogers Ofime (Voiceless)

Best Indigenous Language Movie or TV Series (Swahili)

Freddy Feruzi

Best Dressed Male

Denola Grey

Best Dressed Female

Osas Ighodaro

Industry Merit Award

Taiwo Ajayi-Lycett

Best Multichoice Talent Factory

Daisy Masembe for ‘Engaito’

Trailblazer Award

Teniola Aladese

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Kanayo O. Kanayo demands lifetime streaming royalties for Nollywood stars

Veteran Nollywood actor Kanayo O. Kanayo has stirred up a conversation the industry has been quietly avoiding for years. The award-winning actor and lawyer recently proposed that the Actors Guild of Nigeria (AGN) implement a policy mandating lifetime royalty payments for all Nigerian actors and actresses featured in films uploaded to streaming platforms.

He also called for a dedicated agency to oversee and enforce compliance nationwide, arguing it would ensure performers earn from their craft long after the cameras stop rolling. The timing of the proposal is telling. Stories of financial ruin among once-beloved Nigerian actors have become alarmingly common.

Last month, veteran actor Abiodun Ayoyinka, widely known as Papa Ajasco, spoke openly about his financial struggles despite decades in the industry.

Two years prior, Hanks Anuku made headlines with public pleas for financial assistance after falling on hard times post-Nollywood.

Patience Ozokwor recently put it bluntly: “The reason why Nollywood actors and actresses are poor is that we don’t get royalties for what we do, we only get paid for our appearance at the shoot.” Her words, along with the others, show a consistent pattern of demand.

The proposal has drawn mixed reactions from industry figures. Writer-director Jadesola Osiberu responded with sarcasm, suggesting that if actors want royalties, perhaps they should also contribute to covering a producer’s losses proportional to their screen time, a dig at the one-sided nature of the demand.

Producer and actress Bolaji Ogunmola was more direct: if actors want backend earnings, they should negotiate equity stakes and invest in projects upfront rather than seek guaranteed payouts after the fact.

It’s a fair challenge. The music industry comparison many have reached for doesn’t quite hold up here.

In more structured film industries, residuals are tied to carefully negotiated distribution contracts and enforced by unions, organisations built over decades with legal infrastructure and industry-wide buy-in.

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Wizkid & Burna Boy Clash Over DJ Tunez Brawl

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According to a source in Burna Boy’s camp, the confrontation ensued after DJ Tunez, who played at the event, accompanied the legendary Afrobeats superstar D’banj to Burna Boy’s section of the VIP lounge. The source said an argument followed between the Grammy-winning megastar and DJ Tunez, which then led to a scuffle before Burna Boy was quickly dragged away from the scene by his security.

In one tweet, he wrote: “Pussy nigga jump a DJ with 10 man carry Diddy towel dey dance. I never see fool like this diddy babe for my life,” a line that quickly began circulating across social media.

The post references the claims that multiple people were involved in the confrontation with Tunez, while also dragging in the ongoing online jokes linking Burna Boy to embattled American music executive Diddy.

Wizkid doubled down shortly after, posting an image of Johnson’s baby oil, a not-so-subtle callback to the same “baby oil” angle that has trailed Burna Boy in recent days, particularly following comments made by Speed Darlington that have since taken on a life of their own online.

The timing is also quite interesting. Wizkid’s posts come just as the situation between DJ Tunez and Burna Boy continues to escalate, with the Nigerian DJ Association already announcing a temporary nationwide ban on Burna Boy’s music pending further investigation.

Burna Boy himself has yet to issue a formal statement on the incident. What this does, however, is shift the tone. Until now, the situation has been judged to be somewhere between a personal dispute and an industry issue.

Wizkid’s involvement firmly pulls it back into the long-running, often tense rivalry between the camps, one that has historically played out through music, subtext, and the occasional online shade.

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He also questioned Nigeria’s sensitivity to global oil market shifts, particularly ongoing tensions in the Middle East. “I don’t understand why Nigeria is one of the first countries to be affected by the war in Iran. My spirit is very angry. All the things I’ve been working for is for what?” he said.

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Online, Remi’s remarks have drawn widespread support, with many users commending him for speaking out on an issue that directly affects daily living. Some described his comments as reflective of broader public sentiment, especially as more Nigerians grapple with rising transportation and operating costs.

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