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Actor Jim Iyke Reveals Reason Why Nollywood Filmmakers Banned Him For 2 Years

Jim Iyke

Ace Nigerian actor Jim Iyke has revealed how a group of Nollywood film producers and directors made the decision to stop casting him after he stood up for his colleagues who were poorly paid for their craft.

Jim Iyke made this revelation at the International Youth Empowerment Summit held in Accra, Ghana. In the circumstance that played out in the year 2004, the actor described how he stood up to a group of Nollywood filmmakers who had begun making an enormous profit off of Nollywood films, demanding that his colleagues who were upcoming in the industry be better paid for their service.

Iyke’s demands were met with deaf ears, after which he called some actors in the industry, asking that they demand more pay. In response to Iyke’s actions, the Nollywood filmmakers decided to stop casting Jim Iyke, as well as other actors who had heeded his advice and begun demanding higher pay for their service. According to Jim, these actors who were labeled G8 included, Jim Iyke, Ramsey Nouah, Emeka Ike, Richard Mofe Damijo, Nkem Owoh, Genevieve Nnaji, Stella Damasus, and Omotola Jalade-Ekeinde.

“Apparently, our producers were becoming multi-millionaires and the actors, not me, I mean guys that were slightly lower, were struggling,” Jim said at the summit.

“…And so, I called the group and said, we need to change the structure, without us they don’t exist. We are the ones the fans know. We have the gift and the talent why should they be earning more than us?”

According to Iyke, the Nollywood producers maintained that they were the ones who made the actors and that the actors were nothing without them, thus, they were to be satisfied with whatever pay they offered them.

The actor explained that the filmmakers were forced to eat their own words after dwindling profits forced them to call back the G8 actors they had backlisted.

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Jim further explained that the reason he was bold enough to stand up to the producers was because, unlike most of his colleagues, he did not owe his success and rise in the industry to any particular person, but sheer hard work and his refusal to settle for small roles.

“On the negotiating table, everybody had something to say. I made you, without me, you wouldn’t have been that. I gave you, your first chance. My colleagues kept quiet because everybody had a leaning, had somebody to point at to say without you I wouldn’t have been whatever it is that I became.”

“So, I said one thing, can somebody stand up and truthfully claim that without them I wouldn’t have come up. Not one person. Because I knew how I started. I knew the belief that I had… I refused to do small roles. For the first 2 to 3 years of my career, they kept giving me small roles and I refused them. I said if it is not a major lead then I’m not doing it.”

Jim Iyke who described the ban as a blessing is one of the few “old Nollywood” actors who successfully transitioned to the “new Nollywood.” Unlike some of his colleagues, Jim Iyke seemed to have properly managed his career as he still remains relevant in the industry. Lucrative endorsement deals and shrewd business choices have helped to keep Iyke’s wealth afloat.

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Kanayo O. Kanayo demands lifetime streaming royalties for Nollywood stars

Veteran Nollywood actor Kanayo O. Kanayo has stirred up a conversation the industry has been quietly avoiding for years. The award-winning actor and lawyer recently proposed that the Actors Guild of Nigeria (AGN) implement a policy mandating lifetime royalty payments for all Nigerian actors and actresses featured in films uploaded to streaming platforms.

He also called for a dedicated agency to oversee and enforce compliance nationwide, arguing it would ensure performers earn from their craft long after the cameras stop rolling. The timing of the proposal is telling. Stories of financial ruin among once-beloved Nigerian actors have become alarmingly common.

Last month, veteran actor Abiodun Ayoyinka, widely known as Papa Ajasco, spoke openly about his financial struggles despite decades in the industry.

Two years prior, Hanks Anuku made headlines with public pleas for financial assistance after falling on hard times post-Nollywood.

Patience Ozokwor recently put it bluntly: “The reason why Nollywood actors and actresses are poor is that we don’t get royalties for what we do, we only get paid for our appearance at the shoot.” Her words, along with the others, show a consistent pattern of demand.

The proposal has drawn mixed reactions from industry figures. Writer-director Jadesola Osiberu responded with sarcasm, suggesting that if actors want royalties, perhaps they should also contribute to covering a producer’s losses proportional to their screen time, a dig at the one-sided nature of the demand.

Producer and actress Bolaji Ogunmola was more direct: if actors want backend earnings, they should negotiate equity stakes and invest in projects upfront rather than seek guaranteed payouts after the fact.

It’s a fair challenge. The music industry comparison many have reached for doesn’t quite hold up here.

In more structured film industries, residuals are tied to carefully negotiated distribution contracts and enforced by unions, organisations built over decades with legal infrastructure and industry-wide buy-in.

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Wizkid & Burna Boy Clash Over DJ Tunez Brawl

Hours after DJ Tunez publicly addressed the alleged altercation involving Burna Boy’s camp, Wizkid took to X with a series of posts that appear to directly mock Burna Boy over the incident.

Videos circulating on social media appear to show DJ Tunez, the Nigerian-American DJ, being physically attacked by individuals allegedly linked to Burna Boy’s camp. The incident, believed to have taken place at a private gathering at Obi Cubana’s residence, has sent fans of both artists into a frenzy online.

According to a source in Burna Boy’s camp, the confrontation ensued after DJ Tunez, who played at the event, accompanied the legendary Afrobeats superstar D’banj to Burna Boy’s section of the VIP lounge. The source said an argument followed between the Grammy-winning megastar and DJ Tunez, which then led to a scuffle before Burna Boy was quickly dragged away from the scene by his security.

In one tweet, he wrote: “Pussy nigga jump a DJ with 10 man carry Diddy towel dey dance. I never see fool like this diddy babe for my life,” a line that quickly began circulating across social media.

The post references the claims that multiple people were involved in the confrontation with Tunez, while also dragging in the ongoing online jokes linking Burna Boy to embattled American music executive Diddy.

Wizkid doubled down shortly after, posting an image of Johnson’s baby oil, a not-so-subtle callback to the same “baby oil” angle that has trailed Burna Boy in recent days, particularly following comments made by Speed Darlington that have since taken on a life of their own online.

The timing is also quite interesting. Wizkid’s posts come just as the situation between DJ Tunez and Burna Boy continues to escalate, with the Nigerian DJ Association already announcing a temporary nationwide ban on Burna Boy’s music pending further investigation.

Burna Boy himself has yet to issue a formal statement on the incident. What this does, however, is shift the tone. Until now, the situation has been judged to be somewhere between a personal dispute and an industry issue.

Wizkid’s involvement firmly pulls it back into the long-running, often tense rivalry between the camps, one that has historically played out through music, subtext, and the occasional online shade.

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Entertainment

Kunle Remi Blasts Government on economic hardship, asks Nigerians to hold government accountable

Nollywood actor Kunle Remi has joined growing public frustration over the rising cost of petrol, using his platform to call for more open conversations about the country’s current economic strain

The actor pushed back against the idea that public figures should stay silent on political or economic issues. “Usually I say things like I don’t really get involved with politics… No, that’s the most stupid statement from anyone in Nigeria right now,” he said. “We should be discussing, we should be talking about it, we should be trying to fix… There’s nothing like sitting on the fence.”

Remi linked his concerns to the direct impact of fuel prices on everyday life, pointing to the ripple effect across businesses and households. “Today I bought petrol for 1,300-something naira,” he said, noting that everything from shopping malls to small barber shops depends heavily on petrol to operate. “I have a child, so I’m thinking not just for myself.”

He also questioned Nigeria’s sensitivity to global oil market shifts, particularly ongoing tensions in the Middle East. “I don’t understand why Nigeria is one of the first countries to be affected by the war in Iran. My spirit is very angry. All the things I’ve been working for is for what?” he said.

His comments come amid sustained pressure on petrol prices across Nigeria. Despite the start of domestic refining operations, including the Dangote Refinery, pump prices have continued to reflect global market volatility. Industry stakeholders have pointed to international crude oil price movements and geopolitical tensions as key factors limiting any immediate relief.

Recent market data shows that a nearly 20 per cent increase in petrol prices implemented last week remains in place, with a national average of about N1,300 per litre. A decline in crude oil prices earlier in the week has yet to translate into lower pump prices, raising further concerns among consumers.

Online, Remi’s remarks have drawn widespread support, with many users commending him for speaking out on an issue that directly affects daily living. Some described his comments as reflective of broader public sentiment, especially as more Nigerians grapple with rising transportation and operating costs.

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