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See The Full Nominee List For The Headies Awards 2020

Headies Awards 2020

The Headies Award is one of Nigeria’s biggest and the most entertaining awards with a history of many controversial and epic moments. The pioneers of the annual music awards, Headies have announced the nominees for the 14th edition for the awards.

See the list below

ARTISTE OF THE YEAR

Most critically and commercially adjudged artiste in the year under review. Overall most successful artiste in the year under review.

  1. BURNA BOY
  2. DAVIDO
  3. WIZKID
  4. MAYORKUN
  5. TIWA SAVAGE

BEST RECORDING OF THE YEAR

A non-voting category for the best recording (that meets the judges’ requirements of excellence; songwriting, production, rendition) by an artiste or group in the year under review.

  1. OZYMANDIAS – BRYMO
  2. SMILE – WIZKID FEAT. HER
  3. WONDERFUL – BURNA BOY
  4. DREAMER – FIREBOY DML
  5. GHOST TOWN – WURLD

BEST POP SINGLE

A voting category for the best pop single in year under review (by single individual or group).

  1. BILLIONAIRE – TENI
  2. NOBODY – DJ NEPTUNE FEAT. JOEBOY & MR. EAZI.
  3. LADY – REMA
  4. FEM – DAVIDO
  5. JORO – WIZKID
  6. SKELETUN – TEKNO

SONG OF THE YEAR

A voting category for the most popular song in the year under review.

  1. FEM – DAVIDO
  2. NOBODY – DJ NEPTUNE FEAT. JOEBOY & MR. EAZI
  3. JORO – WIZKID
  4. MAFO – NAIRA MARLEY
  5. DUDUKE – SIMI

Also Read: Flavour Of Africa: Nigerian Highlife Maestro Releases Much Anticipated Album

PRODUCER OF THE YEAR

An individual responsible for producing the most acclaimed song or album in the year under review.

  1. PHEELZ – ‘BILLIONAIRE’ BY TENI
  2. SPAX – ‘AWAY’ BY OXLADE
  3. KEL P – ‘PULL UP’ BY BURNA BOY
  4. SARZ – ‘MAD’ BY SARZ & WURLD

BEST RAP ALBUM

A non-voting category for the best album by a rap artiste or group in year under review.

  1. GOD’S ENGINEERING – AQ
  2. ILLY CHAPO X – ILLBLISS
  3. YPSZN2 – PSYCHO YP
  4. CULT! – PAYBAC IBORO
  5. THE ERIGMA II – ERIGGA

BEST R&B ALBUM

A category for the best r&b album in the year under review (by single individual or group).

  1. LAUGHTER, TEARS AND GOOSEBUMPS – FIREBOY DML
  2. I LIKE GIRLS WITH TROBUL – SARZ & WURLD
  3. KING – PRAIZ
  4. BOO OF THE BOOLESS – CHIKE
  5. CELIA – TIWA SAVAGE

BEST ALTERNATIVE ALBUM

A category for the best Alternative album in the year under review (by single individual or group).

  1. YELLOW – BRYMO
  2. LUCID – ASA
  3. THE LIGHT – BEZ
  4. PIONEERS – DRB LASGIDI
  5. ROOTS – THE CAVEMEN

BEST POP ALBUM

A category for the best pop album in the year under review (by single individual or group).

  1. APOLLO – FIREBOY DML
  2. AFRICAN GIANT – BURNA BOY
  3. A GOOD TIME – DAVIDO
  4. WOMAN OF STEEL – YEMI ALADE
  5. AFRO POP VOL. 1 – ADEKUNLE GOLD

BEST MUSIC VIDEO

A voting category for the best conceptualist, best directed and most exciting video in the year under review. This award goes to the video director.

  1. ELI – FIREBOY DML BY CLARENCE PETERS
  2. 1 MILLI – DAVIDO BY DIRECTOR K
  3. SMILE – WIZKID BY MEJI ALABI
  4. BILLIONAIRE – TENI BY TG OMORI
  5. SHEKERE – YEMI ALADE BY OVIE ETSEYATSE

BEST R&B SINGLE

A category for the best r&b single in the year under review (by a single individual or group).

  1. UNDER THE SKY – PRAIZ
  2. DUDUKE – SIMI
  3. MAD – SARZ & WURLD
  4. BAD INFLUENCE – OMAH LAY
  5. TATTOO – FIREBOY DML
  6. DANGEROUS LOVE – TIWA SAVAGE

BEST COLLABORATION

A voting category for the best R&B, pop or hip-hop collaborative track (including cameos).

  1. KNOW YOU – LADIPOE FEAT. SIMI
  2. NOBODY – DJ NEPTUNE FEAT. JOEBOY & MR. EAZI
  3. SWEET IN THE MIDDLE – DAVIDO FEAT. NAIRA MARLEY, ZLATAN & WURLD
  4. DON’T CALL ME BACK – JOEBOY FEAT. MAYORKUN
  5. TOTORI – ID CABASA FEAT. WIZKID & OLAMIDE
  6. GET THE INFO – PHYNO FEAT. PHENOM & FALZ

BEST RAP SINGLE

A voting category for a single (released on-air) recording of a rap song.

  1. OGB4IG – REMINISCE
  2. SHUT UP – BLAQBONEZ
  3. COUNTRY – ILLBLISS
  4. GET THE INFO – PHYNO, FALZ & PHENOM
  5. BOP DADDY – FALZ FEAT. MS. BANKS

BEST VOCAL PERFORMANCE(MALE)

A non-voting category for the single male artiste with the most outstanding vocal performance on a single song or album.

  1. WURLD – GHOST TOWN
  2. CHIKE – FORGIVE
  3. PRAIZ – UNDER THE SKY
  4. COHBAMS – PLENTI
  5. NONSO AMADI – WHAT MAKES YOU SURE
  6. JOHNNY DRILLE – COUNT ON YOU

BEST VOCAL PERFORMANCE (FEMALE)

A non-voting category for the single female artiste with most outstanding vocal performances on a single song or album.

  1. SIMI – NO LONGER BENEFICIAL
  2. LINDSEY ABUDEI – ONE ON THE OUTSIDE
  3. NINIOLA – ADDICTED
  4. J-DESS – CHI EFO
  5. YEMI ALADE – LAI LAI
  6. IMANSE – AJALA

NEXT RATED

This category is a voting category for the most promising act in the year under review.

  1. TEMS
  2. OMAH LAY
  3. OXLADE
  4. BELLA SHMURDA

HEADIES REVELATION

A voting category for the best new artiste with a debut album adjudged to be outstanding in terms of artistic quality and impact within the year under review.

  1. VICTOR AD
  2. FIREBOY DML
  3. JOEBOY
  4. TENI
  5. REMA
  6. CHIKE

LYRICIST ON THE ROLL

A non-voting category for the rap artiste with the best lyrical depth and performance on a single song or album.

  1. AQ – EUNICE
  2. BLAQBONEZ – DEFINE RAP 2
  3. MI ABAGA – TRINITY
  4. ILLBLISS – COUNTRY
  5. PHENOM – GET THE INFO
  6. PHYNO – SPEAK LIFE

BEST STREET-HOP ARTISTE

A voting category for the artiste whose songs are inspired by the streets. Such song should captain lingua, which may also be originated by the artiste and popular on the street.

  1. NAIRA MARLEY & YOUNG JOHN – MAFO
  2. MAYORKUN – GENG
  3. REMINISCE FEAT. OLAMIDE & NAIRA MARLEY – INSTAGRAM
  4. RUDEBOY – AUDIO MONEY
  5. IVD & ZLATAN – BOLANLE
  6. OLAMIDE – PAWON

BEST ALTERNATIVE SONG

A voting category for the artiste whose songs reflect any form or style of music which falls outside the mainstream of recent or past popular musical trends.

  1. CORNER – LADY DONLY FEAT. VANJESS & THE CAVEMEN
  2. I WONDER – MOELOGO
  3. BITTER – DEENA ADE
  4. ANITA – THE CAVEMEN
  5. MONEY DEVOTION – GBASKY
  6. GOD SAVE THE QUEEN – OLU

ALBUM OF THE YEAR

A voting category for the best album (solo or group) in year under review, that meets judges’ requirements of excellence (songwriting, production, rendition and impact).

  1. AFRICAN GIANT – BURNA BOY
  2. APOLLO – FIREBOY DML
  3. AFRO POP VOL. 1 – ADEKUNLE GOLD
  4. YELLOW – BRYMO
  5. BOO OF THE BOOLESS – CHIKE

AFRICAN ARTISTE RECOGNITION

A non-Nigerian award category for an individual African artiste or group with the most outstanding achievement, impact and infiltration into the Nigerian music scene in the year under review.

  1. MASTER KG
  2. KUAMI EUGENE
  3. SAUTI SOL
  4. SHAATA WALE
  5. STONEBWOY

HEADIES’ VIEWER’S CHOICE

A voting category to award the fan’s favorite artiste with the most digital tractions (downloads, views, streams) in the year under review.

  1. DAVIDO
  2. OMAH LAY
  3. BURNA BOY
  4. FALZ
  5. FIREBOY DML
  6. MAYORKUN
  7. DJ NEPTUNE
  8. WIZKID

ROOKIE OF THE YEAR:

A voting category for the rookie of the year who has had a successful year musically, with the absence of an album in the year under review.

  1. OLAKIRA
  2. ALPHA P
  3. JAMOPYPER
  4. ZINOLEESKY
  5. BAD BOY TIMZ

SONGWRITER OF THE YEAR:

A non-voting category for the writer of a song (that meets the judges’ requirements of excellence, composition, arrangement, rendition) in the year under review.

  1. SIMISOLA BOLATITO OGUNLEYE (SIMI – DUDUKE)
  2. ADEDAMOLA ADEFOLAHAN (FIREBOY DML – DREAMER)
  3. DAMINI OGULU (BURNA BOY – WAY TOO BIG)
  4. STANLEY OMAH DIDIA (OMAH LAY – BAD INFLUENCE)
  5. SADIQ ONIFADE (WURLD – GHOST TOWN
  6. ADEKUNLE KOSOKO (1 MILLION – DAVIDO)

SPECIAL RECOGNITION:

A special recognition to an individual(s) for excellence and outstanding impact to the entertainment industry.

  1. EEDRIS ABDULKAREEM
  2. TIMAYA

HALL OF FAME:

A special recognition to an individual for excellence and outstanding impact to the entertainment industry.

  1. KING SUNNY ADE
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Entertainment

Bovi To Replace IK Osakioduwa as hosts for 12th edition Of AMVCA, Ending 11-year Run

After eleven consecutive editions under the same host, the Africa Magic Viewers’ Choice Awards is changing the face of its stage.

The organisers have announced Nigerian comedian and actor Bovi Ugboma and South African actress Nomzamo Mbatha as co-hosts for the 12th edition, scheduled for May 9, 2026, at the Eko Hotel and Suites in Lagos, bringing to a close IK Osakioduwa’s unbroken run as the face of the ceremony since its debut in 2013.

Osakioduwa has been a fixture of the AMVCA since the awards launched, hosting every edition across more than a decade. His departure from the role marks the most significant change to the ceremony’s presentation since its inception.

In his place steps Bovi, one of Nigeria’s most recognised stand-up comedians, known for his sharp wit, storytelling, and stage command. Joining him is Nomzamo Mbatha, whose profile extends well beyond the screen. The actress, producer, and UNHCR Goodwill Ambassador gained international recognition through her role in Coming 2 America and currently stars as Queen Nandi in the acclaimed epic drama series Shaka iLembe, for which she also serves as Executive Producer.

The organisers described the pairing as “a master of wit and narrative, and a global icon of screen and advocacy,” promising a night where “mastery meets African excellence.” Bovi, speaking on his appointment, made clear he understands the significance of the occasion.

“The AMVCA stage is one of the biggest in Africa, and I don’t take that lightly,” he said. “I want to bring the energy, the laughs, and the magic that this night deserves. African storytelling is at an all-time high, and it’s an honour to be the one holding the mic while we celebrate the best of it.”

Veteran actress Joke Silva has been named head judge for the 12th edition.On the nominations front, Gingerrr and The Herd lead the pack with nine nods each across acting, directing, and technical categories. To Kill A Monkey follows with eight nominations, while My Father’s Shadow, from the Davies brothers, earned seven across various categories.

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Adekunle Gold surprises Simi with Mercedes-Benz GLE and diamond ring for her 38th birthday

Afrobeats hitmaker Adekunle Gold marked his wife Simi’s 38th birthday on April 19 with a surprise gift of a brand new Mercedes-Benz GLE and a diamond ring, in a moment that has since circulated widely across social media.

A video shared by Adekunle Gold on his Instagram page captured the moment the award-winning singer Simi walked out to find the luxury vehicle, visibly overcome with emotion, before embracing her husband. The clip spread rapidly online, drawing warm reactions from fans and fellow entertainers.

The gesture comes at a particularly eventful period for the couple. Just days after welcoming their second child in March, Adekunle Gold had made headlines for acquiring two new Mercedes-Benz vehicles, which he named “Taye” and “Kehinde”, the Yoruba terms for twins.
The birthday gift to Simi follows in that vein, reflecting what has been a notably celebratory season for the household.

Simi, for her part, had taken to social media earlier in the day to mark the occasion independently. In a post, she described the past year as “a pretty big, long, heavy, blessed year,” expressing gratitude for her faith and the people closest to her. The surprise that followed appeared to be entirely unscripted.

This is not the first time Adekunle Gold has made a public gesture of this nature on his wife’s birthday. On her 35th birthday in April 2023, he presented her with a multimillion naira customised diamond necklace bearing her name, a moment that similarly trended online. The pattern has come to define how the couple marks the date each year.

Their relationship has been a fixture of public interest since they first came to prominence as a couple. The two began dating in 2014, maintained a private relationship for five years, and married on January 9, 2019.

They celebrated their seventh wedding anniversary in January 2026 and welcomed their second child the following March. Despite sustained public attention and periodic online speculation about their relationship, the couple has remained a consistent presence in each other’s lives and work.

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Kanayo O. Kanayo demands lifetime streaming royalties for Nollywood stars

Veteran Nollywood actor Kanayo O. Kanayo has stirred up a conversation the industry has been quietly avoiding for years. The award-winning actor and lawyer recently proposed that the Actors Guild of Nigeria (AGN) implement a policy mandating lifetime royalty payments for all Nigerian actors and actresses featured in films uploaded to streaming platforms.

He also called for a dedicated agency to oversee and enforce compliance nationwide, arguing it would ensure performers earn from their craft long after the cameras stop rolling. The timing of the proposal is telling. Stories of financial ruin among once-beloved Nigerian actors have become alarmingly common.

Last month, veteran actor Abiodun Ayoyinka, widely known as Papa Ajasco, spoke openly about his financial struggles despite decades in the industry.

Two years prior, Hanks Anuku made headlines with public pleas for financial assistance after falling on hard times post-Nollywood.

Patience Ozokwor recently put it bluntly: “The reason why Nollywood actors and actresses are poor is that we don’t get royalties for what we do, we only get paid for our appearance at the shoot.” Her words, along with the others, show a consistent pattern of demand.

The proposal has drawn mixed reactions from industry figures. Writer-director Jadesola Osiberu responded with sarcasm, suggesting that if actors want royalties, perhaps they should also contribute to covering a producer’s losses proportional to their screen time, a dig at the one-sided nature of the demand.

Producer and actress Bolaji Ogunmola was more direct: if actors want backend earnings, they should negotiate equity stakes and invest in projects upfront rather than seek guaranteed payouts after the fact.

It’s a fair challenge. The music industry comparison many have reached for doesn’t quite hold up here.

In more structured film industries, residuals are tied to carefully negotiated distribution contracts and enforced by unions, organisations built over decades with legal infrastructure and industry-wide buy-in.

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