To mark its 20th anniversary, Spotify is giving users personalised all-time insights, including:
Their first day on Spotify

The total number of unique songs they have listened to

Their first streamed song

Their all-time most-streamed artist

Their All-Time Top Songs playlist, featuring their top 120 tracks, complete with play counts

Now available to eligible users in Nigeria and Kenya, Spotify 20 turns each listener’s journey into a nostalgia-filled celebration, revealing the songs, artists and milestones that have defined their time on the platform.

Each data story comes with a share card at the end of the experience, making it easy for fans to save their results, send them to friends, or share them across social platforms. For listeners in Nigeria and Kenya, Spotify 20 offers a new way to revisit the songs that have soundtracked everyday moments, major milestones and cultural shifts. Spotify 20 is part of the global celebration of Spotify’s 20th anniversary, which also spotlights the platform’s all-time most-streamed content.

Globally, the top three most-streamed artists of all time are Taylor Swift, Bad Bunny and Drake. Bad Bunny’s Un Verano Sin Ti is the most-streamed album, while The Weeknd’s ‘Blinding Lights’ is the most-streamed song, followed by Ed Sheeran’s ‘Shape of You’. The most-streamed podcast globally is The Joe Rogan Experience, and the most-streamed audiobook among Premium subscribers is Sarah J. Maas’s A Court of Thorns and Roses.

Four albums in, two Grammy nominations to his name, the most entries on the Billboard U.S. Afrobeats Songs chart, and the most-streamed artist on Spotify Nigeria, Asake drops M$NEY, his fourth studio album released on the 1st of May via GIRAN REPUBLIC and EMPIRE.

The 13-track project is Asake’s most sonically varied to date. It opens with a live choral performance (an unusual choice that immediately signals this is not going to be a straightforward Afrobeats record) and moves through orchestral arrangements, jazz-tinged strings, dance production, and amapiano before it is done.

Speaking on the album, Asake said: “M$NEY is a reflection of my spiritual and creative journey. Everything flows from a place of gratitude to God, and every moment that’s shaped me. I stay true to myself but also weave in new creative expressions from my life experiences and personal evolution.”

Fans got their first taste of the project as far back as February 2025 with ‘Why Love’, followed by ‘Badman Gangsta’ featuring French artist Tiakola, a track built around a reimagined sample of Amerie’s ‘1 Thing’ that turned out to be one of the more interesting sonic swings of his singles run.

Then came ‘Worship’ with DJ Snake, which pushed the project into full cross-continental territory.

The full album expands on all of that. Outside the previously released singles, the album includes ‘Gratitude’, ‘Forgiveness’, and ‘Asambe’, a collaboration with South African amapiano producer Kabza De Small. It’s a pairing that will likely draw attention, given both artists’ standing in their respective markets.

The album artwork was created by Iraqi-Dutch artist Arthar Jabar.

Mr P has officially moved his birthday celebration from November 18 to November 30, adding a new layer to the ongoing P-Square family feud. What began as a social media declaration has now been formalised. A few hours after announcing his intention to change his birthday date, Peter Okoye, known professionally as Mr P, has issued an open letter confirming that November 18, the date he has shared with his twin brother Paul Okoye since birth in 1981, is no longer his day of celebration.

“Dear Family, Friends, and Fans,” the post read. “I’m making it official. November 18th is no longer my birthday celebration date. Please note that I will not be accepting any messages or gifts on that day. My birthday will now be celebrated on November 30th. This is a personal decision, and I truly appreciate your understanding.”

The message is brief, but its implications are quite clear. November 18 has long been one of the last remaining public symbols of a shared identity between two brothers whose professional and personal relationship has deteriorated sharply over the past several years.

By formally reassigning the date, Peter is drawing a line that goes beyond creative differences or business disputes.

The reaction from Nigerians online has been largely sceptical.

Many have questioned the necessity of the gesture, with a significant number describing it as petty and unnecessary given the more substantive issues that have defined the brothers’ current estrangement.

The consensus among critics is that changing a birthday date does little to resolve any of the actual grievances and serves mainly as a public statement of severance.

The feud between Peter and Paul Okoye has now spanned multiple years, two official splits, a brief reunion, and a growing list of public accusations on both sides. November 30 is still months away. To see if the gesture will land as true liberation or just pettiness may depend entirely on where things stand by then.