Connect with us

Entertainment

Nigerian Superstar Tems Wins Big At The 67th Grammys

Nigerian singer Tems won the Best African Song Performance award at the 67th Grammys.

The singer who led the Nigerian contingent with three nominations won the prize for her single ‘Love Me Jeje’ in a category packed with Nigerian superstars.

It was a history-making night for the two-time winner who became the first Nigerian artist to win the category.

Other historic feats include Kendrick Lamar’s 5 wins which made him the second rapper since Chidish Gambino to win the Song of the Year and Record of the Year categories.

Kendrick Lamar’s ‘Not Like US’ also won the Best Rap Song, Best Rap Performance, and Best Music Video awards to take his tally to 22 thus becoming the third rapper with the most Grammys.

Jay Z broke his tie (24) with Kanye West after winning for Beyonce’s ‘Cowboy Carter’ which won the Album of the Year, Best Country Album, and also delivered the Best Country Duo Performance.

Beyonce’s three wins at the 67th Grammys extend her record as the artist with the most wins with 35.

See the full winners list below.

Record of the Year
“Not Like Us,” Kendrick Lamar

Album of the Year
“Cowboy Carter,” Beyoncé

Song of the Year
“Not Like Us,” Kendrick Lamar, songwriter (Kendrick Lamar)

Best New Artist
Chappell Roan

Producer of the Year, Non-Classical
Daniel Nigro

Songwriter of the Year, Non-Classical
Amy Allen

Best Pop Solo Performance
“Espresso,” Sabrina Carpenter

Best Pop Duo/Group Performance
“Die With a Smile,” Lady Gaga and Bruno Mars

Best Pop Vocal Album
“Short n’ Sweet,” Sabrina Carpenter

Best Dance/Electronic Recording
“Neverender,” Justice and Tame Impala

Best Dance Pop Recording
“Von Dutch,” Charli XCX

Best Dance/Electronic Album
“Brat,” Charli XCX

Best Remixed Recording
“Espresso (Mark Ronson x FNZ Working Late Remix),” FNZ and Mark Ronson, remixers (Sabrina Carpenter)

Best Rock Performance
“Now and Then,” The Beatles

Best Metal Performance
“Mea Culpa (Ah! Ça ira!),” Gojira, Marina Viotti and Victor Le Masne

Best Rock Song
“Broken Man,” Annie Clark, songwriter (St. Vincent)

Best Rock Album
“Hackney Diamonds,” The Rolling Stones

Best Alternative Music Performance
“Flea,” St. Vincent

Best Alternative Music Album
“All Born Screaming,” St. Vincent

Best R&B Performance
“Made for Me (Live on BET),” Muni Long

Best Traditional R&B Performance
“That’s You,” Lucky Daye

Best R&B Song
“Saturn,” Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon and Scott Zhang, songwriters (SZA)

Best Progressive R&B Album
“So Glad to Know You,” Avery*Sunshine
“Why Lawd?,” NxWorries (Anderson .Paak and Knxwledge)

Best R&B Album
“11:11 (Deluxe),” Chris Brown

Best Rap Performance
“Not Like Us,” Kendrick Lamar

Best Melodic Rap Performance
“3:AM,” Rapsody featuring Erykah Badu

Best Rap Song
“Not Like Us,” Kendrick Lamar, songwriter (Kendrick Lamar)

Best Spoken Word Poetry Album

“The Heart, the Mind, the Soul,” Tank and the Bangas

Best Jazz Performance
“Twinkle Twinkle Little Me,” Samara Joy featuring Sullivan Fortner

Best Jazz Vocal Album
“A Joyful Holiday,” Samara Joy

Best Jazz Instrumental Album
“Remembrance,” Chick Corea and Béla Fleck

Best Large Jazz Ensemble Album
“Bianca Reimagined: Music for Paws and Persistence,” Dan Pugach Big Band

Best Latin Jazz Album
“Cubop Lives!,” Luques Curtis, Zaccai Curtis, Willie Martinez, Camilo Molina and Reinaldo de Jesus

Best Alternative Jazz Album
“No More Water: The Gospel of James Baldwin,” Meshell Ndegeocello

Best Traditional Pop Vocal Album
“Visions,” Norah Jones

Best Contemporary Instrumental Album
“Plot Armor,” Taylor Eigsti

Best Musical Theater Album
“Hell’s Kitchen,” Shoshana Bean, Brandon Victor Dixon, Kecia Lewis and Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys and Tom Kitt, producers (Alicia Keys, composer and lyricist) (Original Broadway Cast)

Best Country Solo Performance
“It Takes a Woman,” Chris Stapleton

Best Country Duo/Group Performance
“II Most Wanted,” Beyoncé featuring Miley Cyrus

Best Country Song
“The Architect,” Shane McAnally, Kacey Musgraves and Josh Osborne, songwriters (Kacey Musgraves)

Best Country Album
“Cowboy Carter,” Beyoncé

Best Americana Performance
“American Dreaming,” Sierra Ferrell

Best American Roots Song
“American Dreaming,” Sierra Ferrell and Melody Walker, songwriters (Sierra Ferrell)

Best Americana Album
“Trail of Flowers,” Sierra Ferrell

Best Bluegrass Album
“Live Vol. 1,” Billy Strings

Best Traditional Blues Album
“Swingin’ Live at the Church in Tulsa,” The Taj Mahal Sextet

Best Contemporary Blues Album

“Mileage,” Ruthie Foster

Best Folk Album
“Woodland,” Gillian Welch and David Rawlings

Best Regional Roots Music Album
“Kuini,” Kalani Pe’a

Best Gospel Performance/Song
“One Hallelujah,” Tasha Cobbs Leonard, Erica Campbell and Israel Houghton featuring Jonathan McReynolds and Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard and Naomi Raine, songwriters

Best Contemporary Christian Music Performance/Song
“That’s My King,” CeCe Winans; Taylor Agan, Kellie Gamble, Lloyd Nicks and Jess Russ, songwriters

Best Gospel Album
“More Than This,” CeCe Winans

Best Contemporary Christian Music Album
“Heart of a Human,” Doe

Best Roots Gospel Album
“Church,” Cory Henry

Best Latin Pop Album
“Las Mujeres Ya No Lloran,” Shakira

Best Música Urbana Album
“Las Letras Ya No Importan,” Residente

Best Latin Rock or Alternative Album
“¿Quién Trae las Cornetas?,” Rawayana

Best Música Mexicana Album (Including Tejano)
“Boca Chueca, Vol. 1,” Carín León

Best Tropical Latin Album
“Alma, Corazón y Salsa (Live at Gran Teatro Nacional),” Tony Succar, Mimy Succar

Best Global Music Performance
“Bemba Colora,” Sheila E. featuring Gloria Estefan and Mimy Succar

Best African Music Performance
“Love Me JeJe,” Tems

Best Global Music Album
“Alkebulan II,” Matt B featuring Royal Philharmonic Orchestra

Best Reggae Album
“Bob Marley: One Love — Music Inspired by the Film (Deluxe),” (Various Artists)

Best New Age, Ambient or Chant Album
“Triveni,” Wouter Kellerman, Eru Matsumoto and Chandrika Tandon

Best Children’s Music Album
“Brillo, Brillo!,” Lucky Diaz and the Family Jam Band

Best Comedy Album
“The Dreamer,” Dave Chappelle

Best Audio Book, Narration and Storytelling Recording
“Last Sundays in Plains: A Centennial Celebration,” Jimmy Carter

Best Compilation Soundtrack for Visual Media
“Maestro: Music by Leonard Bernstein,” Bradley Cooper, Yannick Nézet-Séguin (London Symphony Orchestra)

Best Score Soundtrack for Visual Media (Includes Film and Television)
“Dune: Part Two,” Hans Zimmer, composer

Best Score Soundtrack for Video Games and Other Interactive Media
“Wizardry: Proving Grounds of the Mad Overlord,” Winifred Phillips, composer

Best Song Written for Visual Media
“It Never Went Away,” from “American Symphony”; Jon Batiste and Dan Wilson, songwriters (Jon Batiste)

Best Music Video
“Not Like Us” (Kendrick Lamar), Dave Free and Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau and Anthony Saleh, video producers

Best Music Film
“American Symphony” (Jon Batiste) Matthew Heineman, video director; Lauren Domino, Matthew Heineman and Joedan Okun, video producers

Best Recording Package
“Brat,” Charli XCX, Brent David Freaney and Imogene Strauss, art directors (Charli XCX)

Best Boxed or Special Limited Edition Package
“Mind Games,” Simon Hilton and Sean Ono Lennon, art directors (John Lennon)

Best Album Notes
“Centennial,” Ricky Riccardi, album notes writer (King Oliver’s Creole Jazz Band and Various Artists)

Best Historical Album
“Centennial,” Meagan Hennessey and Richard Martin, compilation producers; Richard Martin, mastering engineer; Richard Martin, restoration engineer (King Oliver’s Creole Jazz Band and Various Artists)

Best Engineered Album, Non-Classical
“I/O,” Tchad Blake, Oli Jacobs, Katie May, Dom Shaw and Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel)

Best Engineered Album, Classical
“Bruckner: Symphony No. 7; Bates: Resurrexit,” Mark Donahue and John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck and Pittsburgh Symphony Orchestra)

Producer of the Year, Classical
Elaine Martone

Best Immersive Audio Album
“I/O (In-Side Mix),” Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel)

Best Instrumental Composition
“Strands,” Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf and Christian Euman)

Best Arrangement, Instrumental or A Cappella
“Bridge Over Troubled Water,” Jacob Collier, Tori Kelly and John Legend, arrangers (Jacob Collier featuring John Legend and Tori Kelly)

Best Arrangement, Instruments and Vocals
“Alma,” Erin Bentlage, Sara Gazarek, Johanye Kendrick and Amanda Taylor, arrangers (säje featuring Regina Carter)

Best Orchestral Performance Award
“Ortiz: Revolución Diamantina,” Gustavo Dudamel, conductor (Los Angeles Philharmonic)

Best Opera Recording Award
“Saariaho: Adriana Mater,” Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan and Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)

Best Choral Performance
“Ochre,” Donald Nally, conductor (The Crossing)

Best Chamber Music/Small Ensemble Performance
“Rectangles and Circumstance,” Caroline Shaw and Sō Percussion

Best Classical Instrumental Solo
“Bach: Goldberg Variations,” Víkingur Ólafsson

Best Classical Solo Vocal Album
“Beyond the Years — Unpublished Songs of Florence Price,” Karen Slack, soloist; Michelle Cann, pianist

Best Classical Compendium
“Ortiz: Revolución Diamantina,” Gustavo Dudamel, conductor; Dmitriy Lipay, producer

Best Contemporary Classical Composition
“Ortiz: Revolución Diamantina,” Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic and Los Angeles Master Chorale)

Best American Roots Performance
“Lighthouse,” Sierra Ferrell

Best Rap Album
“Alligator Bites Never Heal,” Doechii

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Davido announces white wedding date with Chioma

Nigerian music superstar Davido has officially revealed plans for a white wedding with his wife, Chioma, which will be held in Miami this August.
During an interview on The Breakfast Club, Davido compared Nigerian marriage customs to those in the United States, noting how family dynamics often play a significant role in African unions.

He said,

Back home, the culture in some households is, for example, that a lot of men grew up with their mum so she’s everything. You know those kinds of households that even if they get married, they can’t leave their mum, she must be in the house. So anything the husband does right or wrong, she’s supporting the husband.

The singer, who previously held a lavish traditional wedding in Nigeria, shared the update while reflecting on cultural differences and the intense public attention surrounding their relationship.

He added,

That’s the mentality in Nigeria: the same thing is for women, they must always support their daughters. Meanwhile, in America, it is just the man and woman who get married. In Nigeria, you never really leave that family. Have you seen a Nigerian wedding?

He went on to recall how his traditional wedding turned into a nationwide celebration and how the white wedding in August 2025 would be a continuation.

I’m having my white wedding in Miami in August. The wedding I did was traditional, it was like a carnival in Nigeria, like a holiday. The whole world stood still. Me and my wife’s relationship was in the public eye, especially after I did that one song. So a lot of things happened. Even apart from losing our child, I messed up a lot of times so that full circle moment everyone was like finally she can get what she deserves.

The 32-year-old Atlanta-born Grammy nominee also added that his wife is the best because she keeps her affairs private.

My wife, you can never see her go to any interview or take a phone to say ‘oh, my husband did this’ or see her go on live — like the normal things. And I appreciate her for that because she could.

The effervescent singer went on to say that no one is perfect, and he would be lying if he said they are.

Continue Reading

Entertainment

Having the #1 song in Nigeria is not worth celebrating – Burna Boy

Burna Boy

Nigerian superstar Burna Boy weighs in on the constant polls and comparisons Nigerian fans engage in on social media. According to him, none of these fans can help fill up a stadium anywhere in the world, so their polls don’t matter.

“Dear artists, don’t let Twitter polls and ‘Naija social media fans’ deceive you. They won’t fill up any stadium for you in any part of the world,” he wrote on his Instagram story

Burna Boy further compared the value of Nigerian streams to streams from the UK and US, which pay significantly more.

According to him, having the number 1 song on a Nigerian music streaming platform isn’t a feat worth celebrating.

Instead, he encourages artists to aim higher and do business on the other side. Burna Boy’s statement, while being an accurate reflection of Nigeria’s economic realities, carries the same condescending tone with which he has approached such a topic in the past.

Making such a statement as “Naija social media fans” suggests that Burna Boy doesn’t consider these millions of fans to be valuable beyond the social media space where they actively engage with Afrobeats.

His statement also brings to mind the controversial statement he made ahead of the release of his last album, ‘I Told Them’.

In an interview with Zane Lowe, he described Afrobeats as a genre without substance.

In the past, Burna Boy has also made such a statement as nobody paved the way for him which attracted criticism from veteran stars who knocked him for discrediting their contributions to the success of Nigerian mainstream music. Burna Boy is gearing up for the release of his eighth album, ‘No Sign of Weakness,’ and this controversial take follows the similar pattern that preceded the release of his last album.

Continue Reading

Entertainment

Tuface’s lover, Natasha, loses minority leader position in Edo Assembly shake-up

The Edo State House of Assembly has removed Hon Natasha Osawaru Irobosa of the Peoples Democratic Party (PDP) as Minority Leader, following the defection of four PDP lawmakers to the All Progressives Congress (APC).
Irobosa, known for her relationship with Nigerian music icon Tuface Idibia, was removed alongside the Majority Leader, Hon Charity Aiguobarueghian, and Chief Whip, Hon Yekini Idaiye.

Speaker of the House, Hon Blessing Agbebaku, announced the leadership changes during a plenary session, citing a letter from the state’s acting APC Chairman, Jarret Tenebe, which confirmed that PDP had lost its majority status.

Agbebaku stated that Hon Ibhamawu Jonathan Aigbokhan (APC, Esan West) would now serve as Majority Leader. At the same time, Hon Addeh Emakhu Isibor (APC, Esan North-East I) and Hon Lecky Hussein Mustapha (APC, Etsako West I) would take up the positions of Deputy Majority Leader and Chief Whip, respectively.

Despite the reshuffle, Agbebaku and his deputy, Hon Maria Edeko, both of the PDP, retained their leadership positions in the House.

However, the Speaker acknowledged that their tenure in these roles was uncertain given the shifting political dynamics.

“The PDP leadership in the state will present its nominees for principal officers to the House,” Agbebaku stated.

The latest developments underscore the volatility within the Edo Assembly as party alignments continue to shift ahead of future political battles.

Continue Reading

Trending